WEBVTT
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Language: en
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[Music]
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[Music]
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[Music]
thank<00:00:48.579> you<00:00:48.699> so<00:00:48.879> much<00:00:49.030> for<00:00:49.239> tuning<00:00:49.449> in<00:00:49.690> today<00:00:49.930> to
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thank you so much for tuning in today to
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thank you so much for tuning in today to
look<00:00:51.010> before<00:00:51.250> you<00:00:51.460> speak<00:00:52.050> this<00:00:53.050> program
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look before you speak this program
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look before you speak this program
invites<00:00:55.000> people<00:00:55.510> on<00:00:56.039> who<00:00:57.039> articulate<00:00:57.820> about
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invites people on who articulate about
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invites people on who articulate about
art<00:00:58.360> to<00:00:58.570> enjoy<00:00:58.899> speaking<00:00:59.350> about<00:00:59.769> art<00:01:00.070> and<00:01:01.289> just
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art to enjoy speaking about art and just
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art to enjoy speaking about art and just
raises<00:01:02.799> the<00:01:02.829> dialogue<00:01:03.430> about<00:01:03.610> just<00:01:04.269> looking
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raises the dialogue about just looking
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raises the dialogue about just looking
and<00:01:04.899> aren't<00:01:05.170> being<00:01:05.500> inspired<00:01:05.860> to<00:01:06.130> talk<00:01:06.369> about
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and aren't being inspired to talk about
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and aren't being inspired to talk about
heart<00:01:07.090> I'm<00:01:08.080> thrilled<00:01:08.440> today<00:01:08.680> to<00:01:08.830> have<00:01:09.430> Dustin
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heart I'm thrilled today to have Dustin
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heart I'm thrilled today to have Dustin
toon<00:01:10.479> who<00:01:11.320> is<00:01:11.470> a<00:01:11.500> gifted<00:01:12.159> art<00:01:12.490> educator<00:01:13.030> here
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toon who is a gifted art educator here
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toon who is a gifted art educator here
in<00:01:13.600> Missoula<00:01:13.930> at<00:01:14.200> Big<00:01:14.350> Sky<00:01:14.619> high<00:01:14.860> school<00:01:15.190> and
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in Missoula at Big Sky high school and
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in Missoula at Big Sky high school and
I've<00:01:16.659> witnessed<00:01:17.789> Dustin<00:01:18.789> teach<00:01:19.450> over<00:01:19.720> the
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I've witnessed Dustin teach over the
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I've witnessed Dustin teach over the
years<00:01:20.110> and<00:01:20.470> it's<00:01:20.649> just<00:01:20.890> wonderful<00:01:21.700> to<00:01:22.060> see<00:01:22.509> his
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years and it's just wonderful to see his
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years and it's just wonderful to see his
techniques<00:01:23.679> and<00:01:23.979> encouraging<00:01:24.550> people<00:01:24.759> to
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techniques and encouraging people to
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techniques and encouraging people to
learn<00:01:25.710> those<00:01:26.710> skills<00:01:26.740> that<00:01:27.190> we're<00:01:27.340> trying<00:01:27.520> to
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learn those skills that we're trying to
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learn those skills that we're trying to
learn<00:01:27.819> here<00:01:28.090> be<00:01:28.330> the<00:01:28.840> skills<00:01:29.140> of<00:01:29.259> looking
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learn here be the skills of looking
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learn here be the skills of looking
looking<00:01:30.490> at<00:01:30.640> things<00:01:30.940> and<00:01:31.259> being<00:01:32.259> patient<00:01:32.530> with
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looking at things and being patient with
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looking at things and being patient with
that<00:01:33.069> looking<00:01:33.520> and<00:01:34.470> Dustin<00:01:35.470> you've<00:01:35.649> brought
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that looking and Dustin you've brought
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that looking and Dustin you've brought
in<00:01:36.130> some<00:01:36.369> different<00:01:36.640> images<00:01:37.210> today<00:01:37.479> you<00:01:37.929> know
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in some different images today you know
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in some different images today you know
I<00:01:38.080> did<00:01:38.409> I<00:01:38.940> think<00:01:39.940> it's<00:01:40.060> important<00:01:40.600> to<00:01:40.840> ask
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I did I think it's important to ask
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I did I think it's important to ask
questions<00:01:41.710> like<00:01:41.920> why<00:01:42.850> do<00:01:42.909> we<00:01:43.149> see<00:01:43.360> things<00:01:43.630> how
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questions like why do we see things how
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questions like why do we see things how
do<00:01:44.289> we<00:01:44.530> see<00:01:44.770> things<00:01:45.039> and<00:01:45.429> I<00:01:46.420> wanted<00:01:46.899> to<00:01:46.990> give<00:01:47.140> a
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do we see things and I wanted to give a
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do we see things and I wanted to give a
little<00:01:47.350> variety<00:01:47.850> behind<00:01:49.049> you<00:01:50.049> know<00:01:50.170> my
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little variety behind you know my
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little variety behind you know my
choices<00:01:50.560> Oh<00:01:50.950> excellent<00:01:51.520> last<00:01:52.000> one<00:01:52.209> thank<00:01:52.479> you
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choices Oh excellent last one thank you
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choices Oh excellent last one thank you
for<00:01:52.660> doing<00:01:52.929> that<00:01:53.080> well<00:01:53.500> thank<00:01:53.770> you<00:01:53.890> for<00:01:54.039> having
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for doing that well thank you for having
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for doing that well thank you for having
me<00:01:54.459> Jim<00:01:56.729> great<00:01:57.729> you<00:01:57.970> can<00:01:58.119> you<00:01:58.629> can<00:01:58.810> identify
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me Jim great you can you can identify
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me Jim great you can you can identify
which<00:02:00.220> of<00:02:00.520> these<00:02:01.509> these<00:02:02.470> particular<00:02:03.009> pieces
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which of these these particular pieces
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which of these these particular pieces
by<00:02:04.509> the<00:02:04.569> artist<00:02:05.259> Robert<00:02:05.979> Morris<00:02:06.520> and<00:02:06.899> Robert
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by the artist Robert Morris and Robert
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by the artist Robert Morris and Robert
Morris<00:02:08.050> was<00:02:08.379> born<00:02:08.739> in<00:02:09.220> I<00:02:09.429> believe<00:02:09.929> 1931<00:02:10.929> he's
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Morris was born in I believe 1931 he's
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Morris was born in I believe 1931 he's
still<00:02:11.440> operated<00:02:11.950> today<00:02:12.150> and<00:02:13.150> he<00:02:13.660> was<00:02:13.810> a<00:02:13.840> part
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still operated today and he was a part
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still operated today and he was a part
of<00:02:14.349> a<00:02:14.470> movement<00:02:14.739> in<00:02:15.780> western<00:02:16.780> art<00:02:17.610> American
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of a movement in western art American
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of a movement in western art American
art<00:02:19.000> called<00:02:19.660> minimalism<00:02:20.319> and<00:02:20.680> he<00:02:21.220> moved<00:02:21.489> out
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art called minimalism and he moved out
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art called minimalism and he moved out
of<00:02:23.400> minimalism<00:02:24.540> rigid<00:02:25.540> object<00:02:26.440> like
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of minimalism rigid object like
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of minimalism rigid object like
structures<00:02:27.220> and<00:02:27.430> stuff<00:02:27.640> and<00:02:27.819> started
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structures and stuff and started
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structures and stuff and started
adopting<00:02:28.420> these<00:02:28.780> shapes<00:02:29.110> now<00:02:29.379> why<00:02:30.160> did<00:02:30.400> I<00:02:30.519> put
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adopting these shapes now why did I put
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adopting these shapes now why did I put
this<00:02:31.090> image<00:02:31.300> up<00:02:31.569> there<00:02:31.780> I'm<00:02:31.930> not<00:02:31.959> even<00:02:32.319> certain
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this image up there I'm not even certain
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this image up there I'm not even certain
what<00:02:33.550> the<00:02:33.700> name<00:02:33.910> is<00:02:34.239> I<00:02:34.599> did<00:02:35.349> get<00:02:35.590> it<00:02:35.769> on<00:02:36.629> felt
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what the name is I did get it on felt
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what the name is I did get it on felt
blogspot.com<00:02:38.550> that<00:02:39.550> was<00:02:39.670> the<00:02:39.790> access<00:02:40.239> of<00:02:40.360> the
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blogspot.com that was the access of the
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blogspot.com that was the access of the
image<00:02:40.750> if<00:02:40.870> anyone<00:02:41.200> is<00:02:41.560> watching<00:02:41.830> it's
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image if anyone is watching it's
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image if anyone is watching it's
interested<00:02:42.790> in<00:02:42.849> seeing<00:02:43.150> this<00:02:43.300> and<00:02:43.540> of<00:02:43.690> course
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interested in seeing this and of course
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interested in seeing this and of course
Robert<00:02:44.409> Morris<00:02:44.739> is<00:02:44.950> covered<00:02:45.640> in<00:02:45.760> lots<00:02:45.940> of
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Robert Morris is covered in lots of
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Robert Morris is covered in lots of
books<00:02:46.390> but<00:02:46.659> why<00:02:47.379> did<00:02:47.560> I<00:02:47.650> put<00:02:47.830> this<00:02:47.950> up<00:02:48.010> here
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books but why did I put this up here
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books but why did I put this up here
well<00:02:48.900> Robert<00:02:49.900> Morris<00:02:50.319> is<00:02:51.159> probably<00:02:51.670> one<00:02:51.909> of
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well Robert Morris is probably one of
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well Robert Morris is probably one of
the<00:02:52.090> more<00:02:52.300> famous<00:02:52.659> minimalist<00:02:53.500> artists<00:02:54.040> along
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the more famous minimalist artists along
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the more famous minimalist artists along
with<00:02:54.519> Don<00:02:55.150> Judd<00:02:55.510> and<00:02:56.080> you<00:02:57.010> can<00:02:57.160> think<00:02:57.370> of<00:02:57.460> many
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with Don Judd and you can think of many
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with Don Judd and you can think of many
others<00:02:57.970> but<00:02:58.870> he<00:02:59.200> started<00:02:59.620> moving<00:02:59.800> in
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others but he started moving in
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others but he started moving in
felt<00:03:00.510> and<00:03:01.379> what<00:03:01.950> he<00:03:02.099> would<00:03:02.220> call<00:03:02.430> ephemeral
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felt and what he would call ephemeral
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felt and what he would call ephemeral
materials<00:03:05.299> materials<00:03:06.299> that<00:03:06.390> would<00:03:06.510> change
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materials materials that would change
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materials materials that would change
with<00:03:07.439> every<00:03:07.680> installation<00:03:08.189> being<00:03:08.819> a<00:03:08.909> curator
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with every installation being a curator
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with every installation being a curator
yourself<00:03:09.810> I<00:03:10.340> think<00:03:11.340> you<00:03:11.489> can<00:03:11.670> speak<00:03:11.849> to<00:03:12.030> that
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yourself I think you can speak to that
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yourself I think you can speak to that
too<00:03:12.420> like<00:03:12.689> how<00:03:12.900> materials<00:03:13.739> change<00:03:14.220> you<00:03:14.879> know
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too like how materials change you know
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too like how materials change you know
with<00:03:15.299> the<00:03:15.450> installation<00:03:16.379> process<00:03:16.650> and<00:03:17.280> how
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with the installation process and how
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with the installation process and how
how<00:03:18.209> you<00:03:18.269> take<00:03:18.540> something<00:03:18.959> as<00:03:19.170> as<00:03:19.379> he<00:03:19.709> would
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how you take something as as he would
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how you take something as as he would
call<00:03:20.010> it<00:03:20.129> ephemeral<00:03:20.819> as<00:03:21.000> this<00:03:21.390> and<00:03:21.799> put<00:03:22.799> it<00:03:22.829> up
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call it ephemeral as this and put it up
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call it ephemeral as this and put it up
and<00:03:23.489> is<00:03:24.060> it<00:03:24.359> supposed<00:03:24.840> to<00:03:25.079> be<00:03:25.200> the<00:03:25.409> same<00:03:25.739> will
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and is it supposed to be the same will
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and is it supposed to be the same will
it<00:03:26.220> drape<00:03:26.730> the<00:03:27.030> same<00:03:27.439> will<00:03:28.439> it<00:03:28.530> be<00:03:28.799> the<00:03:29.040> same
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it drape the same will it be the same
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it drape the same will it be the same
from<00:03:30.120> gallery<00:03:30.840> space<00:03:31.349> wall<00:03:32.010> space<00:03:32.519> to<00:03:33.120> gallery
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from gallery space wall space to gallery
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from gallery space wall space to gallery
space<00:03:33.900> what<00:03:34.590> do<00:03:34.650> you<00:03:34.739> think<00:03:34.889> about<00:03:34.980> that<00:03:35.280> well
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space what do you think about that well
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space what do you think about that well
when<00:03:35.819> I<00:03:35.849> look<00:03:36.150> at<00:03:36.329> this<00:03:36.540> there's<00:03:37.230> a<00:03:37.319> couple
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when I look at this there's a couple
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when I look at this there's a couple
things<00:03:38.129> that<00:03:38.459> I<00:03:39.290> like<00:03:40.290> to<00:03:40.319> think<00:03:40.500> about<00:03:40.980> with
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things that I like to think about with
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things that I like to think about with
him<00:03:41.519> and<00:03:41.819> and<00:03:42.180> even<00:03:43.170> though<00:03:43.319> you're<00:03:43.500> talking
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him and and even though you're talking
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him and and even though you're talking
about<00:03:44.040> the<00:03:44.310> materials<00:03:44.879> being<00:03:45.239> ephemeral<00:03:45.900> I
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about the materials being ephemeral I
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about the materials being ephemeral I
think<00:03:48.060> he<00:03:48.150> is<00:03:48.239> very<00:03:48.299> much<00:03:48.689> a<00:03:48.750> colorist<00:03:49.470> and<00:03:50.209> the
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think he is very much a colorist and the
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think he is very much a colorist and the
choice<00:03:51.510> of<00:03:51.930> the<00:03:52.139> color<00:03:52.409> of<00:03:52.739> the<00:03:52.859> material<00:03:52.980> is
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choice of the color of the material is
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choice of the color of the material is
really<00:03:53.760> really<00:03:53.970> important<00:03:54.599> and<00:03:55.010> the
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really really important and the
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really really important and the
simplicity<00:03:56.730> I<00:03:57.180> mean<00:03:57.510> to<00:03:57.720> the<00:03:58.319> form<00:03:58.799> itself<00:03:59.340> has
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simplicity I mean to the form itself has
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simplicity I mean to the form itself has
a<00:03:59.909> simplicity<00:04:00.689> about<00:04:01.230> it<00:04:01.470> and<00:04:02.120> there's<00:04:03.120> a
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a simplicity about it and there's a
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a simplicity about it and there's a
there's<00:04:04.410> a<00:04:04.500> messaging<00:04:05.220> and<00:04:05.459> in<00:04:06.000> this<00:04:06.329> in<00:04:06.750> this
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there's a messaging and in this in this
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there's a messaging and in this in this
kind<00:04:07.560> of<00:04:07.739> form<00:04:08.099> and<00:04:08.549> the<00:04:09.389> message<00:04:09.780> has<00:04:10.079> to
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kind of form and the message has to
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kind of form and the message has to
relates<00:04:11.639> to<00:04:12.030> the<00:04:12.299> form<00:04:12.629> that<00:04:12.900> is<00:04:13.199> very<00:04:13.560> as<00:04:13.829> you
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relates to the form that is very as you
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relates to the form that is very as you
refer<00:04:15.090> to<00:04:15.120> him<00:04:15.449> as<00:04:15.510> a<00:04:15.659> minimalist<00:04:16.260> it<00:04:16.979> is<00:04:17.190> very
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refer to him as a minimalist it is very
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refer to him as a minimalist it is very
very<00:04:17.820> minimal<00:04:18.060> and<00:04:18.930> I<00:04:19.079> think<00:04:19.579> in<00:04:20.579> some<00:04:20.880> ways
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very minimal and I think in some ways
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very minimal and I think in some ways
people<00:04:21.449> may<00:04:21.599> come<00:04:21.840> in<00:04:22.079> and<00:04:22.169> say<00:04:22.260> oh<00:04:22.349> what<00:04:22.740> is
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people may come in and say oh what is
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people may come in and say oh what is
this<00:04:23.280> it's<00:04:23.639> not<00:04:23.880> it's<00:04:24.300> so<00:04:25.020> simple<00:04:25.409> I<00:04:25.800> don't<00:04:26.010> get
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this it's not it's so simple I don't get
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this it's not it's so simple I don't get
it
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it
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it
yeah<00:04:27.530> but<00:04:28.530> I<00:04:28.770> think<00:04:29.280> artists<00:04:30.680> like<00:04:31.680> him<00:04:31.949> are
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yeah but I think artists like him are
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yeah but I think artists like him are
telling<00:04:32.580> us<00:04:33.260> that<00:04:34.260> there<00:04:34.590> is<00:04:34.710> significance<00:04:35.520> in
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telling us that there is significance in
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telling us that there is significance in
just<00:04:36.000> the<00:04:36.180> simplicity<00:04:36.659> of<00:04:36.900> a<00:04:37.110> form<00:04:37.470> and<00:04:38.010> also
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just the simplicity of a form and also
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just the simplicity of a form and also
thinking<00:04:38.820> what<00:04:39.090> is<00:04:39.419> at<00:04:39.810> the<00:04:39.840> core<00:04:40.169> of<00:04:40.470> it<00:04:40.860> and
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thinking what is at the core of it and
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thinking what is at the core of it and
the<00:04:42.449> simplicity<00:04:42.659> here<00:04:43.590> and<00:04:44.690> there's<00:04:45.690> nothing
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the simplicity here and there's nothing
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the simplicity here and there's nothing
in<00:04:46.650> this<00:04:47.460> piece<00:04:48.380> you<00:04:50.360> know<00:04:51.360> there's<00:04:51.570> nothing
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in this piece you know there's nothing
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in this piece you know there's nothing
that<00:04:52.560> is<00:04:52.590> too<00:04:52.710> much
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that is too much
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that is too much
you<00:04:54.690> know<00:04:54.780> he's<00:04:54.930> eliminated<00:04:55.740> anything<00:04:56.460> that
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you know he's eliminated anything that
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you know he's eliminated anything that
would<00:04:56.789> be<00:04:56.940> too<00:04:57.240> much<00:04:57.510> he<00:04:57.930> certainly<00:04:58.169> has<00:04:58.590> and
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would be too much he certainly has and
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would be too much he certainly has and
you<00:04:59.070> were<00:04:59.190> mentioning<00:04:59.400> colourists<00:05:00.270> he's<00:05:00.870> you
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you were mentioning colourists he's you
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you were mentioning colourists he's you
know<00:05:01.260> his<00:05:01.500> colorist<00:05:01.979> propensity<00:05:02.930> the<00:05:03.930> reason
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know his colorist propensity the reason
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know his colorist propensity the reason
I<00:05:04.500> opened<00:05:05.130> with<00:05:05.220> this<00:05:05.400> image<00:05:05.610> we're
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I opened with this image we're
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I opened with this image we're
discussing<00:05:06.599> it<00:05:06.870> is<00:05:07.050> because<00:05:07.409> again<00:05:08.279> I<00:05:08.340> want<00:05:08.520> to
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discussing it is because again I want to
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discussing it is because again I want to
get<00:05:08.669> back<00:05:08.820> to<00:05:09.000> this<00:05:09.090> idea<00:05:09.300> of<00:05:09.539> looking<00:05:09.960> at<00:05:10.139> art
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get back to this idea of looking at art
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get back to this idea of looking at art
and
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and
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and
what<00:05:11.470> we<00:05:11.830> bring<00:05:12.100> to<00:05:12.190> the<00:05:12.460> table<00:05:13.140> now<00:05:14.140> I<00:05:14.440> teach
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what we bring to the table now I teach
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what we bring to the table now I teach
art<00:05:15.250> classes<00:05:15.670> yeah<00:05:15.940> for<00:05:16.210> high<00:05:16.300> school<00:05:16.570> and<00:05:16.990> I
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art classes yeah for high school and I
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art classes yeah for high school and I
love<00:05:17.320> it<00:05:17.470> means<00:05:18.250> a<00:05:18.340> lot<00:05:18.460> to<00:05:18.520> me<00:05:18.850> you<00:05:19.300> know<00:05:19.420> you
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love it means a lot to me you know you
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love it means a lot to me you know you
you've<00:05:20.740> taught<00:05:21.040> me<00:05:21.280> you<00:05:21.790> know<00:05:21.820> we<00:05:22.770> do<00:05:23.770> a<00:05:23.890> part
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you've taught me you know we do a part
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you've taught me you know we do a part
of<00:05:24.250> this<00:05:24.340> community<00:05:24.580> in<00:05:25.270> Missoula<00:05:26.050> Montana
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of this community in Missoula Montana
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of this community in Missoula Montana
where<00:05:26.740> art<00:05:27.310> matters<00:05:27.820> and<00:05:28.860> you're<00:05:29.860> naturally
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where art matters and you're naturally
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where art matters and you're naturally
when<00:05:30.610> you<00:05:30.700> teach<00:05:30.910> art<00:05:31.240> you<00:05:31.630> come<00:05:31.900> across<00:05:32.140> this
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when you teach art you come across this
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when you teach art you come across this
I<00:05:33.010> think<00:05:33.550> this<00:05:33.730> a<00:05:33.970> few<00:05:34.420> ideas<00:05:34.600> and<00:05:35.350> one<00:05:35.560> is<00:05:35.740> what
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I think this a few ideas and one is what
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I think this a few ideas and one is what
does<00:05:36.700> the<00:05:36.910> observer<00:05:37.540> bring<00:05:37.900> to<00:05:38.050> the<00:05:38.170> table
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does the observer bring to the table
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does the observer bring to the table
okay<00:05:39.370> what<00:05:40.300> is<00:05:40.450> the<00:05:40.630> context<00:05:41.470> that<00:05:41.500> it<00:05:41.740> was
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okay what is the context that it was
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okay what is the context that it was
made<00:05:42.130> in<00:05:42.310> terms<00:05:42.520> of<00:05:42.670> art<00:05:42.820> history<00:05:43.300> alright<00:05:44.050> and
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made in terms of art history alright and
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made in terms of art history alright and
this<00:05:44.440> is<00:05:44.590> another<00:05:44.860> thing<00:05:45.160> I'm<00:05:45.280> constantly
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this is another thing I'm constantly
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this is another thing I'm constantly
thinking<00:05:45.820> of<00:05:46.180> when<00:05:46.360> I'm<00:05:46.450> talking<00:05:46.810> with<00:05:46.870> kids
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thinking of when I'm talking with kids
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thinking of when I'm talking with kids
and<00:05:47.440> then<00:05:48.010> finally<00:05:49.290> well<00:05:50.290> two<00:05:50.530> more
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and then finally well two more
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and then finally well two more
what<00:05:52.210> is<00:05:52.300> it<00:05:52.450> is<00:05:52.600> there<00:05:52.840> a<00:05:52.870> narrative<00:05:53.320> is<00:05:53.680> there
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what is it is there a narrative is there
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what is it is there a narrative is there
a<00:05:54.070> story<00:05:54.570> being<00:05:55.570> told<00:05:55.660> by<00:05:56.050> the<00:05:56.110> actual<00:05:56.680> image
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a story being told by the actual image
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a story being told by the actual image
and<00:05:57.220> then<00:05:57.730> finally<00:05:58.300> what<00:05:59.260> is<00:05:59.410> it<00:05:59.650> formally<00:06:00.250> and
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and then finally what is it formally and
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and then finally what is it formally and
we've<00:06:00.790> already<00:06:01.000> addressed<00:06:01.390> normal<00:06:01.960> because
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we've already addressed normal because
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we've already addressed normal because
we're<00:06:02.350> forced<00:06:02.560> to<00:06:02.680> we're<00:06:02.950> looking<00:06:02.980> at<00:06:03.250> Robert
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we're forced to we're looking at Robert
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we're forced to we're looking at Robert
warrants<00:06:03.940> refers<00:06:04.420> to<00:06:04.570> just<00:06:05.020> address<00:06:05.770> for<00:06:06.760> yeah
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warrants refers to just address for yeah
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warrants refers to just address for yeah
and<00:06:08.140> and<00:06:08.530> as<00:06:08.710> he<00:06:08.890> put<00:06:09.130> it<00:06:09.160> this<00:06:10.000> idea<00:06:10.300> of<00:06:10.540> the
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and and as he put it this idea of the
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and and as he put it this idea of the
ephemeral<00:06:11.110> it's<00:06:11.320> gonna<00:06:11.500> change<00:06:11.590> yeah<00:06:12.370> you're
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ephemeral it's gonna change yeah you're
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ephemeral it's gonna change yeah you're
gonna<00:06:13.000> move<00:06:13.510> it<00:06:13.660> to<00:06:13.780> another<00:06:13.810> gallery<00:06:14.380> it's
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gonna move it to another gallery it's
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gonna move it to another gallery it's
gonna<00:06:14.650> change<00:06:14.740> it's<00:06:15.730> not<00:06:16.170> he's<00:06:17.170> moving<00:06:17.440> away
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gonna change it's not he's moving away
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gonna change it's not he's moving away
from<00:06:17.800> the<00:06:17.920> object<00:06:18.100> a<00:06:18.580> solid<00:06:19.120> to<00:06:19.510> process<00:06:20.110> art
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from the object a solid to process art
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from the object a solid to process art
and<00:06:20.560> I<00:06:21.190> think<00:06:21.430> even<00:06:21.730> coined<00:06:21.880> the<00:06:22.060> term
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and I think even coined the term
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and I think even coined the term
processor<00:06:22.990> yeah<00:06:23.170> yeah
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processor yeah yeah
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processor yeah yeah
I<00:06:23.770> need<00:06:24.280> certainly<00:06:24.730> I<00:06:24.760> mean<00:06:25.060> you<00:06:25.180> can<00:06:25.330> look<00:06:25.450> up
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I need certainly I mean you can look up
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I need certainly I mean you can look up
I<00:06:25.870> can't<00:06:26.170> recall<00:06:26.320> the<00:06:26.620> name<00:06:26.650> of<00:06:26.920> his<00:06:27.210> art<00:06:28.210> news
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I can't recall the name of his art news
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I can't recall the name of his art news
piece<00:06:28.780> but<00:06:28.990> it<00:06:29.110> was<00:06:29.140> in<00:06:29.290> 1966<00:06:30.250> if<00:06:30.460> you<00:06:30.580> want<00:06:30.760> to
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piece but it was in 1966 if you want to
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piece but it was in 1966 if you want to
learn<00:06:30.940> more<00:06:31.090> about<00:06:31.150> Robert<00:06:31.720> Morris<00:06:32.370> he's
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learn more about Robert Morris he's
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learn more about Robert Morris he's
still<00:06:33.760> active<00:06:34.120> today<00:06:34.240> and<00:06:34.810> I<00:06:35.260> think<00:06:35.620> when<00:06:36.400> I'm
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still active today and I think when I'm
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still active today and I think when I'm
telling<00:06:36.790> my<00:06:37.030> students<00:06:37.540> when<00:06:37.960> I'm<00:06:38.080> opening
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telling my students when I'm opening
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telling my students when I'm opening
with<00:06:38.800> something<00:06:39.160> like<00:06:39.310> this<00:06:39.580> you're<00:06:40.570> gonna
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with something like this you're gonna
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with something like this you're gonna
get<00:06:40.930> that<00:06:41.110> reaction<00:06:41.320> like<00:06:41.830> I<00:06:42.010> used<00:06:42.370> to<00:06:42.460> get
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get that reaction like I used to get
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get that reaction like I used to get
when<00:06:42.640> I<00:06:42.790> was<00:06:42.940> a<00:06:43.000> kid<00:06:43.210> with<00:06:43.390> Jackson<00:06:43.870> Pollock
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when I was a kid with Jackson Pollock
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when I was a kid with Jackson Pollock
you<00:06:44.590> know<00:06:44.710> I'm<00:06:44.830> gonna<00:06:44.980> you're<00:06:45.190> gonna<00:06:45.310> get<00:06:45.520> that
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you know I'm gonna you're gonna get that
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you know I'm gonna you're gonna get that
reaction<00:06:45.880> of<00:06:46.330> my<00:06:46.480> little<00:06:46.750> brother<00:06:46.930> can<00:06:47.140> do
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reaction of my little brother can do
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reaction of my little brother can do
that<00:06:47.860> yeah<00:06:48.190> you're<00:06:48.670> gonna<00:06:48.790> get<00:06:49.000> that<00:06:49.150> reaction
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that yeah you're gonna get that reaction
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that yeah you're gonna get that reaction
from<00:06:49.690> the<00:06:49.870> kids<00:06:50.110> and<00:06:50.440> so<00:06:51.130> then<00:06:51.600> that<00:06:52.600> gives<00:06:52.870> you
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from the kids and so then that gives you
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from the kids and so then that gives you
an<00:06:53.230> avenue<00:06:53.710> to<00:06:53.980> talk<00:06:54.340> about<00:06:54.700> art<00:06:55.030> history<00:06:55.210> yeah
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an avenue to talk about art history yeah
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an avenue to talk about art history yeah
you<00:06:56.110> know<00:06:56.200> what<00:06:56.410> where<00:06:56.890> did<00:06:57.010> this<00:06:57.100> come<00:06:57.340> from
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you know what where did this come from
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you know what where did this come from
yeah<00:06:57.910> did<00:06:58.180> you<00:06:58.210> just<00:06:58.450> go<00:06:58.570> baby<00:06:58.840> yeah<00:06:59.290> Robert
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yeah did you just go baby yeah Robert
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yeah did you just go baby yeah Robert
boards<00:07:00.340> you<00:07:00.910> know<00:07:00.970> no<00:07:01.480> it<00:07:01.780> came<00:07:02.050> from<00:07:02.290> a<00:07:02.440> from<00:07:02.920> a
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boards you know no it came from a from a
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boards you know no it came from a from a
discipline<00:07:03.580> it<00:07:03.730> came<00:07:03.910> from<00:07:04.060> a<00:07:04.180> history<00:07:04.600> and
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discipline it came from a history and
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discipline it came from a history and
it's<00:07:05.410> building<00:07:05.890> and<00:07:06.040> responding<00:07:06.700> and
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it's building and responding and
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it's building and responding and
reacting<00:07:06.880> to<00:07:07.690> that<00:07:07.810> history<00:07:08.080> I<00:07:09.630> I'm<00:07:10.630> really
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reacting to that history I I'm really
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reacting to that history I I'm really
glad<00:07:11.290> you<00:07:11.590> brought<00:07:11.800> that<00:07:11.860> up<00:07:12.100> because<00:07:12.400> I<00:07:12.820> think
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glad you brought that up because I think
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glad you brought that up because I think
instead<00:07:15.190> of<00:07:15.250> us<00:07:15.790> looking<00:07:16.360> at<00:07:16.510> art<00:07:16.750> in<00:07:17.110> ways
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instead of us looking at art in ways
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instead of us looking at art in ways
that<00:07:18.040> we<00:07:18.310> say
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is<00:07:21.490> the<00:07:21.669> kind<00:07:21.940> of<00:07:22.090> art<00:07:22.270> that<00:07:22.449> I<00:07:22.660> like<00:07:23.009> mm-hmm
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is the kind of art that I like mm-hmm
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is the kind of art that I like mm-hmm
you<00:07:24.220> know<00:07:24.310> many<00:07:24.520> people<00:07:24.940> come<00:07:25.150> up<00:07:25.300> with<00:07:25.479> that
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you know many people come up with that
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you know many people come up with that
you<00:07:26.110> know<00:07:26.199> I<00:07:26.620> liked<00:07:26.979> this<00:07:27.520> and<00:07:29.220> in<00:07:30.220> some<00:07:30.580> ways<00:07:30.759> I
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you know I liked this and in some ways I
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you know I liked this and in some ways I
just<00:07:31.600> begged<00:07:31.960> people<00:07:32.259> to<00:07:32.590> set<00:07:32.860> that<00:07:33.100> aside<00:07:33.280> and
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just begged people to set that aside and
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just begged people to set that aside and
just<00:07:35.169> look<00:07:36.009> and<00:07:37.410> realize<00:07:38.410> that<00:07:39.509> there's<00:07:40.509> lots
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just look and realize that there's lots
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just look and realize that there's lots
of<00:07:40.960> different<00:07:41.320> kinds<00:07:41.830> of<00:07:41.949> art<00:07:42.220> and<00:07:43.530> just<00:07:44.530> wrap
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of different kinds of art and just wrap
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of different kinds of art and just wrap
your<00:07:45.370> mind<00:07:45.820> around<00:07:46.030> the<00:07:46.389> fact<00:07:46.419> that<00:07:46.750> you<00:07:46.930> can
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your mind around the fact that you can
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your mind around the fact that you can
like<00:07:47.350> many<00:07:48.100> different<00:07:48.550> kinds<00:07:48.970> of<00:07:49.030> art<00:07:49.300> all<00:07:49.630> at
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like many different kinds of art all at
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like many different kinds of art all at
the<00:07:50.050> same<00:07:50.289> time<00:07:50.350> and<00:07:51.150> you<00:07:52.150> know<00:07:52.270> it's<00:07:52.419> like
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the same time and you know it's like
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the same time and you know it's like
literature<00:07:53.910> you<00:07:54.910> know<00:07:54.940> where<00:07:55.150> music<00:07:55.539> or<00:07:56.020> music
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literature you know where music or music
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literature you know where music or music
genres<00:07:57.539> allman<00:07:58.539> short<00:07:58.990> story<00:07:59.440> and<00:08:00.070> novel<00:08:00.760> and
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sometimes<00:08:04.990> people<00:08:05.289> sell<00:08:05.740> themselves<00:08:05.949> short
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sometimes people sell themselves short
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sometimes people sell themselves short
when<00:08:07.330> they<00:08:07.650> limit<00:08:08.650> themselves<00:08:08.830> and<00:08:09.490> say<00:08:10.000> this
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when they limit themselves and say this
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when they limit themselves and say this
is<00:08:11.430> the<00:08:12.430> only<00:08:12.580> kind<00:08:12.880> of<00:08:13.060> art<00:08:13.240> I<00:08:13.389> like<00:08:13.660> yeah<00:08:14.620> so
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is the only kind of art I like yeah so
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is the only kind of art I like yeah so
anyway<00:08:15.810> that's<00:08:16.810> that's<00:08:17.080> what<00:08:17.320> that's<00:08:17.680> why<00:08:17.889> I
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anyway that's that's what that's why I
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anyway that's that's what that's why I
like<00:08:18.160> to<00:08:18.310> open<00:08:18.669> up<00:08:18.789> with<00:08:18.970> that<00:08:19.120> we<00:08:19.660> should
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like to open up with that we should
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like to open up with that we should
probably<00:08:19.960> move<00:08:20.229> on<00:08:21.930> now<00:08:22.930> I<00:08:22.960> brought<00:08:23.169> this<00:08:23.410> up
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probably move on now I brought this up
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probably move on now I brought this up
because<00:08:23.970> Morris<00:08:24.970> is<00:08:25.120> famous<00:08:25.510> for<00:08:25.720> talking
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because Morris is famous for talking
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because Morris is famous for talking
about<00:08:26.470> the<00:08:27.130> non<00:08:27.400> objectivity<00:08:28.120> of<00:08:28.510> the<00:08:28.870> work
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about the non objectivity of the work
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about the non objectivity of the work
again<00:08:29.770> the<00:08:29.919> ephemeral<00:08:30.760> it<00:08:30.910> changes<00:08:31.419> and<00:08:31.570> stuff
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again the ephemeral it changes and stuff
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again the ephemeral it changes and stuff
and<00:08:32.529> we're<00:08:32.740> bringing<00:08:32.919> it<00:08:33.190> down<00:08:33.310> to<00:08:33.459> brass
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and we're bringing it down to brass
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and we're bringing it down to brass
tacks<00:08:33.729> people<00:08:34.479> it<00:08:34.839> is<00:08:35.169> felt<00:08:35.589> and<00:08:36.039> I've<00:08:36.490> folded
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tacks people it is felt and I've folded
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tacks people it is felt and I've folded
it<00:08:37.150> now<00:08:37.510> Robert<00:08:38.260> Morris<00:08:38.500> is<00:08:38.620> also<00:08:38.979> known<00:08:39.219> for
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it now Robert Morris is also known for
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it now Robert Morris is also known for
his<00:08:39.669> process<00:08:40.180> art<00:08:40.419> and<00:08:40.599> dance<00:08:41.070> and<00:08:42.070> I<00:08:42.219> think
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his process art and dance and I think
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his process art and dance and I think
you<00:08:42.610> can<00:08:42.760> see<00:08:43.000> dance<00:08:43.300> in<00:08:43.599> this<00:08:43.779> you<00:08:44.620> know<00:08:44.650> what
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you can see dance in this you know what
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you can see dance in this you know what
I'm<00:08:45.040> saying<00:08:45.430> yeah<00:08:45.670> I<00:08:46.029> mean<00:08:46.480> I<00:08:46.660> think<00:08:46.959> there's
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I'm saying yeah I mean I think there's
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I'm saying yeah I mean I think there's
dance<00:08:47.529> in<00:08:47.770> this<00:08:47.920> but<00:08:48.160> you<00:08:48.279> know<00:08:48.400> what<00:08:48.430> else<00:08:48.760> I
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dance in this but you know what else I
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dance in this but you know what else I
can't<00:08:50.350> help<00:08:50.529> it<00:08:50.770> Steve<00:08:51.339> I'm<00:08:51.940> drawn<00:08:52.330> to
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can't help it Steve I'm drawn to
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can't help it Steve I'm drawn to
narrative<00:08:52.870> now<00:08:53.140> he<00:08:53.200> may<00:08:53.500> not<00:08:53.709> like<00:08:53.920> it<00:08:53.950> yeah
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narrative now he may not like it yeah
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narrative now he may not like it yeah
Donald<00:08:55.270> Judd<00:08:55.510> might<00:08:55.720> not<00:08:55.959> like<00:08:56.200> it<00:08:56.230> those<00:08:56.950> guys
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Donald Judd might not like it those guys
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Donald Judd might not like it those guys
might<00:08:57.459> not<00:08:57.640> like<00:08:57.880> it<00:08:57.910> but<00:08:58.240> I'm<00:08:58.779> always<00:08:59.050> as<00:08:59.560> a
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might not like it but I'm always as a
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might not like it but I'm always as a
human<00:09:00.070> looking<00:09:00.310> for<00:09:00.490> pattern<00:09:00.910> and<00:09:01.150> narrative
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human looking for pattern and narrative
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human looking for pattern and narrative
story<00:09:02.200> no<00:09:02.680> this<00:09:03.550> is<00:09:04.510> vulva<00:09:05.260> like<00:09:05.680> yeah<00:09:06.250> the
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story no this is vulva like yeah the
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story no this is vulva like yeah the
female<00:09:07.270> genitalia<00:09:07.870> yeah<00:09:08.260> I<00:09:08.290> mean<00:09:08.529> I<00:09:08.650> can't
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female genitalia yeah I mean I can't
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female genitalia yeah I mean I can't
help<00:09:09.490> it
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help it
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help it
yeah<00:09:10.060> what<00:09:10.510> do<00:09:10.600> you<00:09:10.800> it's<00:09:11.800> hard<00:09:12.130> you<00:09:12.430> know<00:09:12.550> I
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yeah what do you it's hard you know I
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yeah what do you it's hard you know I
think<00:09:12.760> formally<00:09:13.540> there's<00:09:13.779> all<00:09:13.990> there's
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think formally there's all there's
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think formally there's all there's
references<00:09:16.600> to<00:09:16.660> all<00:09:17.370> human<00:09:18.370> body<00:09:18.880> parts<00:09:19.420> and
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references to all human body parts and
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references to all human body parts and
and<00:09:20.400> and<00:09:21.400> you<00:09:21.700> know<00:09:21.790> when<00:09:21.940> I<00:09:21.970> look<00:09:22.270> at<00:09:22.420> that<00:09:22.510> I
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and and you know when I look at that I
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and and you know when I look at that I
think<00:09:22.750> it<00:09:23.110> does<00:09:24.060> reference<00:09:25.060> that<00:09:25.930> but<00:09:26.260> it<00:09:26.380> also
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think it does reference that but it also
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think it does reference that but it also
creates<00:09:28.870> a<00:09:29.110> rhythm<00:09:29.350> and<00:09:29.890> a<00:09:30.610> patterning<00:09:31.270> and<00:09:31.480> it
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creates a rhythm and a patterning and it
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creates a rhythm and a patterning and it
states<00:09:32.890> referencing<00:09:33.640> a<00:09:33.760> lot
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states referencing a lot
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states referencing a lot
things<00:09:34.600> in<00:09:34.990> art<00:09:35.410> history<00:09:36.009> that<00:09:36.999> are<00:09:37.769> emotional
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things in art history that are emotional
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things in art history that are emotional
the<00:09:40.360> strength<00:09:40.720> of<00:09:40.959> the<00:09:41.139> form<00:09:41.490> and<00:09:43.139> you<00:09:44.139> know
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the strength of the form and you know
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the strength of the form and you know
the<00:09:45.509> the<00:09:46.509> sculptural<00:09:47.019> aspect<00:09:47.230> of<00:09:47.800> it<00:09:47.949> it's
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the the sculptural aspect of it it's
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the the sculptural aspect of it it's
yeah<00:09:48.369> and<00:09:49.240> I<00:09:49.720> see<00:09:49.990> dance<00:09:50.259> in<00:09:50.499> here<00:09:50.709> I'm<00:09:50.860> gonna
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yeah and I see dance in here I'm gonna
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yeah and I see dance in here I'm gonna
return<00:09:51.550> to<00:09:51.610> that<00:09:51.879> that<00:09:52.269> notion<00:09:52.509> in<00:09:53.350> the<00:09:53.619> form
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return to that that notion in the form
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return to that that notion in the form
in<00:09:54.220> the<00:09:54.249> curvature<00:09:55.029> if<00:09:55.240> I'm<00:09:55.389> gonna<00:09:55.569> look<00:09:55.689> at
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in the curvature if I'm gonna look at
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in the curvature if I'm gonna look at
this<00:09:55.959> formally<00:09:56.709> like<00:09:56.920> I<00:09:57.040> think<00:09:57.100> the<00:09:57.459> I<00:09:57.490> assume
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this formally like I think the I assume
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this formally like I think the I assume
the<00:09:58.240> artist<00:09:58.600> wants<00:09:58.899> me<00:09:59.019> to<00:09:59.050> I'm<00:09:59.740> gonna<00:10:00.160> move
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the artist wants me to I'm gonna move
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the artist wants me to I'm gonna move
over<00:10:00.639> every<00:10:01.149> surface<00:10:01.389> I'm<00:10:02.290> gonna<00:10:02.559> divorce
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over every surface I'm gonna divorce
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over every surface I'm gonna divorce
myself<00:10:03.369> from<00:10:03.730> the<00:10:03.939> notion<00:10:04.360> of<00:10:04.449> there<00:10:04.689> has<00:10:04.869> to
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myself from the notion of there has to
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myself from the notion of there has to
be<00:10:05.110> a<00:10:05.230> story<00:10:05.589> behind<00:10:05.649> it<00:10:06.040> I<00:10:06.160> have<00:10:06.309> to<00:10:06.429> look<00:10:06.670> at
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be a story behind it I have to look at
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be a story behind it I have to look at
it<00:10:06.910> and<00:10:07.059> think<00:10:07.360> of<00:10:07.480> a<00:10:07.660> vulva<00:10:07.899> no<00:10:08.649> you<00:10:08.709> I<00:10:08.920> don't<00:10:09.100> I
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it and think of a vulva no you I don't I
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it and think of a vulva no you I don't I
can<00:10:10.029> move<00:10:10.240> through<00:10:10.569> it<00:10:10.660> and<00:10:10.720> actually<00:10:11.230> think
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can move through it and actually think
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can move through it and actually think
of<00:10:11.499> the<00:10:11.619> materials<00:10:12.160> like<00:10:12.249> the<00:10:12.579> color<00:10:12.790> field
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of the materials like the color field
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of the materials like the color field
painters<00:10:13.480> have<00:10:13.779> made<00:10:14.019> you<00:10:14.259> with<00:10:14.439> their
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painters have made you with their
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painters have made you with their
paintings<00:10:14.980> I<00:10:15.220> don't<00:10:16.089> know<00:10:16.740> but<00:10:17.740> the<00:10:17.860> fact<00:10:18.100> is
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paintings I don't know but the fact is
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paintings I don't know but the fact is
I'm<00:10:19.689> gonna<00:10:20.019> move<00:10:20.230> into<00:10:20.439> this<00:10:20.619> idea<00:10:21.009> of<00:10:21.100> what<00:10:21.490> do
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I'm gonna move into this idea of what do
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I'm gonna move into this idea of what do
I<00:10:21.970> bring<00:10:22.029> yeah<00:10:22.779> when<00:10:23.019> I<00:10:23.050> look<00:10:23.139> at<00:10:23.470> art<00:10:23.679> I<00:10:23.939> have
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I bring yeah when I look at art I have
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I bring yeah when I look at art I have
no<00:10:25.269> choice<00:10:25.689> but<00:10:26.019> to<00:10:26.079> bring<00:10:26.470> a<00:10:26.559> desire<00:10:26.980> for
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no choice but to bring a desire for
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no choice but to bring a desire for
narrative<00:10:28.209> yeah<00:10:28.779> I<00:10:29.050> need<00:10:29.559> it<00:10:29.589> yeah<00:10:30.160> I<00:10:30.749> need<00:10:31.749> to
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narrative yeah I need it yeah I need to
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narrative yeah I need it yeah I need to
read<00:10:32.110> I<00:10:32.139> need<00:10:32.589> I<00:10:32.829> need<00:10:32.920> comic<00:10:33.670> books<00:10:33.910> I<00:10:34.059> need<00:10:34.240> I
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read I need I need comic books I need I
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read I need I need comic books I need I
need<00:10:34.449> something<00:10:35.230> a<00:10:35.379> story<00:10:35.769> in<00:10:36.160> the<00:10:36.429> visual<00:10:36.730> art
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need something a story in the visual art
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need something a story in the visual art
and<00:10:37.179> as<00:10:37.899> we've<00:10:38.110> just<00:10:38.139> demonstrated<00:10:38.499> I<00:10:39.069> look<00:10:39.279> at
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and as we've just demonstrated I look at
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and as we've just demonstrated I look at
that<00:10:39.579> Robert<00:10:39.970> Morris<00:10:40.299> and<00:10:40.509> I<00:10:40.929> want<00:10:41.079> to<00:10:41.139> tell<00:10:41.290> a
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that Robert Morris and I want to tell a
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that Robert Morris and I want to tell a
story<00:10:41.619> about<00:10:41.769> it<00:10:41.920> yeah<00:10:42.220> yeah<00:10:42.639> it's<00:10:42.970> hard<00:10:43.360> for
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story about it yeah yeah it's hard for
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story about it yeah yeah it's hard for
me<00:10:43.689> to<00:10:43.779> break<00:10:43.990> it<00:10:44.170> into<00:10:44.319> Gestalt<00:10:45.069> as<00:10:45.279> you<00:10:45.670> would
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me to break it into Gestalt as you would
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me to break it into Gestalt as you would
call<00:10:45.970> the<00:10:46.269> the<00:10:46.959> rudimentary<00:10:47.709> forms<00:10:48.129> that
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call the the rudimentary forms that
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call the the rudimentary forms that
exist<00:10:48.519> in<00:10:48.879> all<00:10:49.029> life<00:10:49.360> you<00:10:49.720> know<00:10:49.809> it's<00:10:49.990> very
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exist in all life you know it's very
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exist in all life you know it's very
that's<00:10:50.709> protonic<00:10:51.490> because<00:10:51.999> conversation
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that's protonic because conversation
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that's protonic because conversation
about<00:10:53.170> it<00:10:53.350> would<00:10:53.499> be<00:10:53.529> purely<00:10:54.839> in<00:10:55.839> those<00:10:56.079> terms
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about it would be purely in those terms
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about it would be purely in those terms
that's<00:10:56.920> right<00:10:57.160> and<00:10:57.670> it's<00:10:57.939> so<00:10:58.089> hard<00:10:58.329> for<00:10:58.420> me<00:10:58.600> but
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that's right and it's so hard for me but
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that's right and it's so hard for me but
I<00:10:59.350> need<00:10:59.470> to<00:10:59.649> do<00:10:59.860> it's<00:11:00.009> challenging<00:11:00.490> it's<00:11:00.639> good
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I need to do it's challenging it's good
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I need to do it's challenging it's good
for<00:11:01.029> me<00:11:01.149> yeah<00:11:01.360> because<00:11:01.689> it's<00:11:02.350> going<00:11:02.499> to
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for me yeah because it's going to
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for me yeah because it's going to
different<00:11:02.980> like<00:11:03.069> you<00:11:03.220> leaving<00:11:03.790> up<00:11:04.629> to<00:11:04.959> your
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different like you leaving up to your
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different like you leaving up to your
interpretation<00:11:05.249> to<00:11:06.249> and<00:11:06.730> he's<00:11:07.029> probably
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interpretation to and he's probably
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interpretation to and he's probably
leaving<00:11:08.980> that<00:11:09.129> open-ended<00:11:09.819> so<00:11:10.420> let's<00:11:10.869> look<00:11:11.019> at
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leaving that open-ended so let's look at
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leaving that open-ended so let's look at
another<00:11:11.259> image<00:11:11.769> because<00:11:12.009> I<00:11:12.100> know<00:11:12.160> you<00:11:12.309> brought
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another image because I know you brought
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another image because I know you brought
in<00:11:12.910> several<00:11:14.160> you<00:11:15.160> know<00:11:15.249> yeah<00:11:16.709> you<00:11:17.709> know
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in several you know yeah you know
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in several you know yeah you know
growing<00:11:18.999> up<00:11:19.149> with<00:11:19.389> young<00:11:19.899> parents<00:11:20.170> I<00:11:20.589> was<00:11:21.249> very
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growing up with young parents I was very
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growing up with young parents I was very
fortunate<00:11:21.970> you<00:11:22.689> know<00:11:22.720> they<00:11:22.990> brought<00:11:23.259> me<00:11:23.499> to
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fortunate you know they brought me to
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fortunate you know they brought me to
Montana<00:11:24.369> Whitefish<00:11:24.790> Montana<00:11:24.999> when<00:11:25.480> I<00:11:25.569> was
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Montana Whitefish Montana when I was
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Montana Whitefish Montana when I was
less<00:11:25.899> than<00:11:25.929> 1<00:11:26.230> years<00:11:26.439> old<00:11:26.619> I<00:11:26.949> was<00:11:27.579> born<00:11:27.970> in
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less than 1 years old I was born in
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less than 1 years old I was born in
Dayton<00:11:28.839> Washington<00:11:29.410> and<00:11:29.559> their<00:11:29.740> young
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Dayton Washington and their young
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Dayton Washington and their young
parents<00:11:30.490> and<00:11:30.610> they<00:11:30.699> had<00:11:30.939> music<00:11:31.209> man<00:11:31.720> yeah<00:11:32.110> you
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parents and they had music man yeah you
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parents and they had music man yeah you
know<00:11:32.499> and<00:11:32.980> so<00:11:34.439> back<00:11:35.439> in<00:11:35.679> the<00:11:35.889> the<00:11:36.519> 70s<00:11:36.970> early
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know and so back in the the 70s early
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know and so back in the the 70s early
80s<00:11:37.559> music<00:11:38.559> albums<00:11:39.429> and<00:11:40.149> album<00:11:40.689> covers
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80s music albums and album covers
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80s music albums and album covers
mattered<00:11:41.499> yeah<00:11:41.889> to<00:11:42.249> my<00:11:42.399> development<00:11:43.149> as<00:11:43.540> a
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mattered yeah to my development as a
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mattered yeah to my development as a
person<00:11:44.019> and<00:11:44.829> I've<00:11:45.040> been<00:11:45.220> making<00:11:45.549> art<00:11:45.730> thinking
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person and I've been making art thinking
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person and I've been making art thinking
about<00:11:46.209> art<00:11:46.449> since<00:11:46.779> at<00:11:46.929> least<00:11:47.169> five
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about art since at least five
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about art since at least five
you<00:11:48.040> know<00:11:48.310> and<00:11:48.460> this<00:11:48.910> is<00:11:49.060> why<00:11:49.240> yeah<00:11:49.870> captain
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you know and this is why yeah captain
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you know and this is why yeah captain
fantastic<00:11:51.040> in<00:11:51.190> the<00:11:51.250> brown<00:11:51.430> dirt<00:11:51.640> cowboy<00:11:52.270> ya
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fantastic in the brown dirt cowboy ya
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fantastic in the brown dirt cowboy ya
know<00:11:53.530> is<00:11:53.740> this<00:11:53.920> I<00:11:54.130> mean<00:11:54.160> do<00:11:54.640> I<00:11:54.700> like<00:11:55.000> Yelton
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know is this I mean do I like Yelton
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know is this I mean do I like Yelton
John<00:11:55.630> not<00:11:56.050> necessarily<00:11:56.830> but<00:11:57.070> my<00:11:57.340> god<00:11:57.640> I<00:11:57.670> like
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John not necessarily but my god I like
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John not necessarily but my god I like
that<00:11:58.180> album<00:11:59.070> and<00:12:00.070> I<00:12:00.280> did<00:12:00.490> when<00:12:00.700> I<00:12:00.790> was<00:12:00.910> 5<00:12:01.150> years
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that album and I did when I was 5 years
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that album and I did when I was 5 years
old<00:12:01.600> there<00:12:02.230> was<00:12:02.350> some<00:12:02.620> I<00:12:02.800> could<00:12:02.860> sit<00:12:03.340> down<00:12:03.670> and
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old there was some I could sit down and
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old there was some I could sit down and
look<00:12:04.570> at<00:12:04.690> that<00:12:04.870> album<00:12:05.260> cover<00:12:05.530> I<00:12:05.860> don't<00:12:05.980> know<00:12:06.460> I
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look at that album cover I don't know I
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look at that album cover I don't know I
wasn't<00:12:06.970> like<00:12:07.330> didn't<00:12:07.780> have<00:12:07.840> a<00:12:07.900> watch<00:12:08.140> couldn't
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wasn't like didn't have a watch couldn't
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wasn't like didn't have a watch couldn't
tell<00:12:08.770> time<00:12:08.980> but<00:12:09.490> it<00:12:09.640> seemed<00:12:10.000> like<00:12:10.210> forever<00:12:12.060> you
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tell time but it seemed like forever you
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tell time but it seemed like forever you
know<00:12:13.180> I<00:12:13.210> mean<00:12:13.660> do<00:12:13.900> you<00:12:13.960> have<00:12:14.020> you<00:12:14.230> ever<00:12:14.410> had
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know I mean do you have you ever had
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know I mean do you have you ever had
similar<00:12:14.980> experiences<00:12:15.520> in<00:12:15.640> our<00:12:15.940> culture<00:12:16.540> sure
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similar experiences in our culture sure
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similar experiences in our culture sure
this<00:12:18.730> is<00:12:19.000> a<00:12:19.230> pretty<00:12:20.230> iconic<00:12:20.580> image<00:12:21.580> and<00:12:21.850> do<00:12:22.720> you
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this is a pretty iconic image and do you
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this is a pretty iconic image and do you
know<00:12:22.900> who<00:12:23.050> did<00:12:23.260> this<00:12:23.530> oh<00:12:23.710> yeah<00:12:26.340> I<00:12:27.600> did<00:12:29.010> the<00:12:30.010> name
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know who did this oh yeah I did the name
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know who did this oh yeah I did the name
escapes<00:12:30.910> me<00:12:31.270> as<00:12:31.450> a<00:12:31.510> British<00:12:31.900> artist<00:12:32.170> he<00:12:32.860> just
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escapes me as a British artist he just
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escapes me as a British artist he just
died<00:12:33.520> February<00:12:33.880> 17th<00:12:34.720> this<00:12:34.960> year<00:12:35.290> okay
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died February 17th this year okay
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died February 17th this year okay
or<00:12:36.400> excuse<00:12:37.030> me<00:12:37.180> February<00:12:38.080> something<00:12:38.550> 2017<00:12:39.550> I
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or excuse me February something 2017 I
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or excuse me February something 2017 I
can't<00:12:40.750> recall<00:12:40.840> his<00:12:41.110> name<00:12:41.350> off<00:12:41.680> the<00:12:41.860> top<00:12:42.010> of<00:12:42.040> my
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can't recall his name off the top of my
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can't recall his name off the top of my
head<00:12:42.460> but<00:12:42.760> you<00:12:43.300> did<00:12:43.510> a<00:12:43.540> whole<00:12:43.810> series<00:12:44.230> during
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head but you did a whole series during
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head but you did a whole series during
the<00:12:44.890> 60s<00:12:45.340> and<00:12:45.430> 70s<00:12:45.640> including<00:12:46.270> Beatles<00:12:46.990> Cup
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the 60s and 70s including Beatles Cup
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the 60s and 70s including Beatles Cup
but<00:12:47.290> what<00:12:48.100> I<00:12:48.130> really<00:12:48.490> like<00:12:48.520> about<00:12:48.730> you
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but what I really like about you
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but what I really like about you
bringing<00:12:49.420> this<00:12:49.690> end<00:12:49.990> is<00:12:50.200> the<00:12:50.230> fact<00:12:50.650> that<00:12:51.330> you
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bringing this end is the fact that you
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bringing this end is the fact that you
know<00:12:52.450> the<00:12:52.600> last<00:12:52.780> image<00:12:53.260> is<00:12:53.470> showed<00:12:53.710> is<00:12:54.370> a
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know the last image is showed is a
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know the last image is showed is a
museum<00:12:55.120> piece<00:12:55.420> and<00:12:56.080> then<00:12:56.740> this<00:12:56.950> image<00:12:57.340> you
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museum piece and then this image you
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museum piece and then this image you
bring<00:12:57.820> in<00:12:58.000> is<00:12:59.760> democratic<00:13:00.760> Democratic<00:13:01.450> in<00:13:01.600> the
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bring in is democratic Democratic in the
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bring in is democratic Democratic in the
way<00:13:01.840> and<00:13:02.050> then<00:13:02.170> it's<00:13:02.350> out<00:13:02.620> there<00:13:02.980> in<00:13:03.330> yeah<00:13:04.330> it's
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way and then it's out there in yeah it's
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way and then it's out there in yeah it's
got<00:13:04.600> priced<00:13:04.870> out<00:13:05.080> of<00:13:05.230> those<00:13:05.290> stores<00:13:05.620> it<00:13:05.860> has<00:13:06.010> a
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got priced out of those stores it has a
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got priced out of those stores it has a
price<00:13:06.370> tag<00:13:06.580> on<00:13:07.000> it<00:13:07.240> and<00:13:07.420> you<00:13:07.780> know<00:13:07.870> you're<00:13:08.140> not
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price tag on it and you know you're not
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price tag on it and you know you're not
sparking<00:13:08.740> it<00:13:08.830> they're<00:13:09.130> really<00:13:09.250> not<00:13:09.520> selling
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sparking it they're really not selling
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sparking it they're really not selling
there<00:13:12.520> is<00:13:12.670> selling<00:13:13.120> the<00:13:13.240> music<00:13:13.750> and<00:13:14.200> it's<00:13:14.890> you
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there is selling the music and it's you
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there is selling the music and it's you
get<00:13:15.640> a<00:13:15.670> ban<00:13:15.940> a<00:13:15.970> fringe<00:13:16.450> benefit<00:13:17.020> a<00:13:17.470> little
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get a ban a fringe benefit a little
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get a ban a fringe benefit a little
artwork<00:13:18.040> and<00:13:19.290> so<00:13:20.290> it's<00:13:21.150> it's<00:13:22.150> almost<00:13:22.630> free<00:13:23.910> in
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artwork and so it's it's almost free in
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artwork and so it's it's almost free in
many<00:13:25.270> ways<00:13:25.450> when<00:13:25.690> you<00:13:25.810> think<00:13:26.020> about<00:13:26.110> it<00:13:26.410> and
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many ways when you think about it and
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many ways when you think about it and
it's<00:13:26.770> so<00:13:27.570> unlike<00:13:30.840> museum<00:13:31.840> work<00:13:32.110> or<00:13:32.410> gallery
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it's so unlike museum work or gallery
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it's so unlike museum work or gallery
work<00:13:33.220> and<00:13:33.550> all<00:13:34.240> of<00:13:34.270> a<00:13:34.450> sudden<00:13:34.480> we<00:13:34.900> have<00:13:35.140> this
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work and all of a sudden we have this
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work and all of a sudden we have this
and<00:13:35.740> we<00:13:35.770> have<00:13:35.860> where<00:13:36.370> you're<00:13:36.520> saving<00:13:37.150> it
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and we have where you're saving it
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and we have where you're saving it
there's<00:13:38.020> something<00:13:38.470> special<00:13:39.070> inside<00:13:39.250> of<00:13:39.760> it
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there's something special inside of it
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there's something special inside of it
it's<00:13:40.060> an<00:13:40.240> envelope<00:13:40.450> and<00:13:41.340> I<00:13:42.340> think<00:13:43.090> it<00:13:43.210> also
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it's an envelope and I think it also
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it's an envelope and I think it also
goes<00:13:43.600> to<00:13:43.990> the<00:13:44.020> messaging<00:13:44.710> that<00:13:44.920> art<00:13:45.250> is
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goes to the messaging that art is
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goes to the messaging that art is
everywhere<00:13:46.950> it's<00:13:47.950> not<00:13:48.100> yes<00:13:48.910> something<00:13:49.450> that's
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everywhere it's not yes something that's
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everywhere it's not yes something that's
so<00:13:49.960> so<00:13:50.230> far<00:13:50.530> I<00:13:50.770> would<00:13:51.040> agree<00:13:51.280> with<00:13:51.490> that<00:13:51.550> have
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so so far I would agree with that have
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so so far I would agree with that have
you<00:13:51.940> noticed<00:13:52.360> that<00:13:52.450> in<00:13:52.900> thinking<00:13:53.230> about<00:13:53.380> art
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you noticed that in thinking about art
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you noticed that in thinking about art
history<00:13:53.950> that<00:13:54.280> over<00:13:54.940> time<00:13:55.180> Steve<00:13:55.720> that
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history that over time Steve that
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history that over time Steve that
there's<00:13:56.950> this<00:13:57.160> this<00:13:57.850> propensity<00:13:58.330> this<00:13:58.780> drive
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there's this this propensity this drive
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there's this this propensity this drive
for<00:13:59.740> art<00:13:59.950> critic
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for art critic
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for art critic
and<00:14:00.470> art<00:14:00.620> historians<00:14:01.310> to<00:14:01.460> want<00:14:01.700> to<00:14:01.910> think
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and art historians to want to think
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and art historians to want to think
about<00:14:02.360> art<00:14:02.750> in<00:14:02.990> linear<00:14:03.800> terms<00:14:04.630> and<00:14:05.630> also<00:14:06.110> in
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about art in linear terms and also in
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about art in linear terms and also in
terms<00:14:06.440> of<00:14:06.530> movements<00:14:07.070> yeah<00:14:07.460> and<00:14:07.790> we're<00:14:08.360> in
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terms of movements yeah and we're in
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terms of movements yeah and we're in
such<00:14:08.660> a<00:14:08.690> confusing<00:14:09.140> time<00:14:09.500> with<00:14:09.770> visual<00:14:10.160> art
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such a confusing time with visual art
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such a confusing time with visual art
today<00:14:10.640> where<00:14:11.420> something<00:14:12.140> like<00:14:12.290> that<00:14:12.560> you<00:14:13.550> know
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today where something like that you know
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today where something like that you know
grounder<00:14:14.240> cowboy<00:14:14.690> album<00:14:15.470> cover<00:14:15.740> it<00:14:16.580> means
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grounder cowboy album cover it means
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grounder cowboy album cover it means
more<00:14:17.210> than<00:14:17.450> it's<00:14:17.600> the<00:14:18.110> than<00:14:18.500> what<00:14:18.740> it<00:14:18.860> meant<00:14:19.130> in
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more than it's the than what it meant in
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more than it's the than what it meant in
in<00:14:19.960> 1975<00:14:20.960> when<00:14:21.320> it<00:14:21.440> was<00:14:21.530> cut<00:14:21.770> when<00:14:22.040> the<00:14:22.160> album
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in 1975 when it was cut when the album
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in 1975 when it was cut when the album
was<00:14:22.610> caught<00:14:22.790> in<00:14:22.880> here's<00:14:23.090> here's<00:14:23.720> what<00:14:23.840> it
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was caught in here's here's what it
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was caught in here's here's what it
means<00:14:23.960> to<00:14:24.290> me<00:14:24.460> first<00:14:25.460> of<00:14:25.580> all<00:14:25.640> it<00:14:25.730> brings<00:14:25.850> me
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means to me first of all it brings me
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means to me first of all it brings me
back<00:14:26.120> to<00:14:26.390> that<00:14:26.570> it's<00:14:26.870> a<00:14:26.930> time<00:14:27.140> machine<00:14:27.170> it
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back to that it's a time machine it
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back to that it's a time machine it
brings<00:14:28.280> me<00:14:28.460> back<00:14:28.490> to<00:14:28.970> when<00:14:29.210> I<00:14:29.300> was<00:14:29.420> five<00:14:29.600> years
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brings me back to when I was five years
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brings me back to when I was five years
old<00:14:29.960> looking<00:14:30.320> at<00:14:30.440> that<00:14:30.560> album<00:14:30.890> album<00:14:31.100> cover
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old looking at that album album cover
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old looking at that album album cover
and<00:14:31.880> it<00:14:32.180> also<00:14:32.390> points<00:14:32.960> to<00:14:32.990> the<00:14:33.140> mass
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and it also points to the mass
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and it also points to the mass
consumerism<00:14:34.090> that's<00:14:35.090> going<00:14:35.360> on<00:14:35.450> today<00:14:35.660> then
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consumerism that's going on today then
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consumerism that's going on today then
we<00:14:36.560> don't<00:14:36.680> even<00:14:36.890> think<00:14:37.160> of<00:14:37.370> with<00:14:38.060> cell<00:14:38.300> phones
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we don't even think of with cell phones
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we don't even think of with cell phones
that<00:14:38.720> were<00:14:38.900> in<00:14:38.990> my<00:14:39.020> pocket<00:14:39.290> right<00:14:39.620> now<00:14:39.800> that<00:14:40.190> I
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that were in my pocket right now that I
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that were in my pocket right now that I
look<00:14:40.430> at<00:14:40.640> I<00:14:40.670> could<00:14:41.000> get<00:14:41.150> any<00:14:41.360> an<00:14:41.510> image<00:14:41.780> I<00:14:41.930> want
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look at I could get any an image I want
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look at I could get any an image I want
and<00:14:42.730> when<00:14:43.730> I<00:14:43.760> went<00:14:44.030> to<00:14:44.120> look<00:14:44.330> up<00:14:44.480> that<00:14:44.630> artists
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and when I went to look up that artists
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and when I went to look up that artists
name<00:14:45.230> it<00:14:45.470> was<00:14:45.590> on<00:14:45.740> Google<00:14:46.190> you<00:14:46.670> know<00:14:46.760> I<00:14:46.850> read<00:14:47.060> it
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name it was on Google you know I read it
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name it was on Google you know I read it
for<00:14:47.300> three<00:14:47.540> seconds<00:14:47.990> and<00:14:48.110> now<00:14:48.260> it's<00:14:48.410> out<00:14:48.530> of<00:14:48.560> my
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for three seconds and now it's out of my
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for three seconds and now it's out of my
mind<00:14:49.010> so<00:14:49.220> what<00:14:49.460> does<00:14:49.580> that<00:14:49.610> say<00:14:50.110> so<00:14:51.110> what<00:14:51.290> does
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mind so what does that say so what does
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mind so what does that say so what does
that<00:14:51.440> say<00:14:51.590> I<00:14:51.800> mean<00:14:52.040> it<00:14:52.250> really<00:14:52.820> says<00:14:53.090> something
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that say I mean it really says something
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that say I mean it really says something
about<00:14:53.540> how<00:14:53.810> we<00:14:53.870> process<00:14:54.260> information<00:14:54.680> how
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about how we process information how
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about how we process information how
people<00:14:56.270> see<00:14:56.990> art<00:14:57.380> now<00:14:57.970> and<00:14:58.970> how<00:14:59.270> we<00:14:59.330> consume
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people see art now and how we consume
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people see art now and how we consume
things<00:15:00.230> and<00:15:00.590> it's<00:15:01.250> I<00:15:01.490> can<00:15:01.760> in<00:15:02.390> many<00:15:02.510> ways<00:15:02.750> have
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things and it's I can in many ways have
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things and it's I can in many ways have
you<00:15:03.020> shown<00:15:03.290> that<00:15:03.560> image<00:15:03.950> to<00:15:04.190> your<00:15:04.310> students<00:15:04.820> no
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you shown that image to your students no
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you shown that image to your students no
but<00:15:05.120> I'm<00:15:05.210> going<00:15:05.360> to<00:15:05.540> very<00:15:05.960> much<00:15:06.020> this<00:15:06.890> is<00:15:06.950> the
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but I'm going to very much this is the
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but I'm going to very much this is the
catalyst<00:15:07.820> this<00:15:08.390> is<00:15:08.630> the<00:15:08.840> impetus<00:15:09.320> for
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catalyst this is the impetus for
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catalyst this is the impetus for
leadership<00:15:10.010> to<00:15:10.190> have<00:15:10.340> a<00:15:10.400> little<00:15:10.640> discussion<00:15:10.970> I
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leadership to have a little discussion I
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leadership to have a little discussion I
love<00:15:11.660> the<00:15:11.930> fact<00:15:12.230> that<00:15:12.470> you're<00:15:12.740> mixing<00:15:13.010> up<00:15:15.130> so
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love the fact that you're mixing up so
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love the fact that you're mixing up so
many<00:15:17.480> different<00:15:18.050> images<00:15:18.320> and<00:15:18.590> and<00:15:19.540> also
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many different images and and also
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many different images and and also
that's<00:15:22.730> one<00:15:23.030> thing<00:15:23.300> I<00:15:23.420> think<00:15:23.450> that<00:15:23.780> in<00:15:24.320> the
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that's one thing I think that in the
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that's one thing I think that in the
definitely<00:15:25.310> the<00:15:25.640> 60s<00:15:26.120> and<00:15:26.330> 70s<00:15:26.630> there<00:15:27.380> is<00:15:27.500> kind
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definitely the 60s and 70s there is kind
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definitely the 60s and 70s there is kind
of<00:15:27.920> the<00:15:28.040> struggle<00:15:28.520> about<00:15:28.640> the<00:15:29.030> narrative
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of the struggle about the narrative
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of the struggle about the narrative
about<00:15:30.620> the<00:15:30.890> story<00:15:31.250> and<00:15:31.760> about<00:15:33.070> of<00:15:34.070> coming<00:15:34.340> out
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about the story and about of coming out
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about the story and about of coming out
of<00:15:34.550> formalism<00:15:34.940> yeah<00:15:35.420> also<00:15:36.140> say<00:15:36.560> you<00:15:36.860> sang<00:15:37.160> to
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of formalism yeah also say you sang to
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of formalism yeah also say you sang to
artists<00:15:37.760> as<00:15:37.880> a<00:15:37.940> rejection<00:15:38.390> Treach<00:15:38.750> yeah<00:15:39.590> as<00:15:39.710> a
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artists as a rejection Treach yeah as a
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artists as a rejection Treach yeah as a
crutch<00:15:40.160> remove<00:15:40.970> yourself<00:15:41.360> from<00:15:41.420> it<00:15:41.660> yeah
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crutch remove yourself from it yeah
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crutch remove yourself from it yeah
exactly<00:15:42.110> the<00:15:42.560> post<00:15:42.770> modernists<00:15:43.340> are<00:15:43.460> safe
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exactly the post modernists are safe
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exactly the post modernists are safe
well<00:15:44.300> I'll<00:15:44.450> show<00:15:44.480> you<00:15:44.810> remove<00:15:45.230> yourself<00:15:45.620> from
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well I'll show you remove yourself from
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well I'll show you remove yourself from
that<00:15:45.860> and<00:15:46.250> I<00:15:46.280> mean<00:15:46.730> they've<00:15:46.940> really<00:15:46.970> removed
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that and I mean they've really removed
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that and I mean they've really removed
themselves<00:15:47.930> well<00:15:48.440> you<00:15:49.130> know<00:15:49.250> I<00:15:49.490> don't<00:15:49.850> know<00:15:50.030> I
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themselves well you know I don't know I
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themselves well you know I don't know I
think<00:15:50.500> all<00:15:51.500> of<00:15:51.740> it<00:15:51.860> exists<00:15:52.430> all<00:15:52.550> at<00:15:52.730> the<00:15:52.850> same
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think all of it exists all at the same
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think all of it exists all at the same
time<00:15:53.120> now<00:15:53.960> and<00:15:54.680> it's<00:15:54.980> okay<00:15:55.370> and<00:15:56.140> accessible<00:15:57.140> at
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time now and it's okay and accessible at
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time now and it's okay and accessible at
all<00:15:57.410> the<00:15:57.590> same<00:15:57.770> time<00:15:58.040> yeah<00:15:58.400> instantaneous
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all the same time yeah instantaneous
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all the same time yeah instantaneous
Ally<00:15:59.540> well<00:16:00.350> let's<00:16:00.500> look<00:16:00.620> at<00:16:00.740> another<00:16:00.860> image
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Ally well let's look at another image
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Ally well let's look at another image
boy<00:16:01.730> you<00:16:01.790> brought<00:16:02.090> it<00:16:02.270> free<00:16:03.140> some<00:16:03.590> harm<00:16:03.830> Danis
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boy you brought it free some harm Danis
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boy you brought it free some harm Danis
that's<00:16:04.790> the<00:16:05.030> other<00:16:05.150> side<00:16:05.270> there's<00:16:05.900> old<00:16:06.140> Elton
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that's the other side there's old Elton
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that's the other side there's old Elton
John<00:16:06.680> I<00:16:07.400> think<00:16:07.940> that<00:16:08.150> the<00:16:08.270> brown<00:16:08.480> dirt<00:16:08.660> cowboy
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John I think that the brown dirt cowboy
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John I think that the brown dirt cowboy
album<00:16:09.530> is<00:16:09.620> dedicated<00:16:10.280> is<00:16:10.400> like<00:16:10.670> a<00:16:10.700> we<00:16:11.150> talk
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album is dedicated is like a we talk
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album is dedicated is like a we talk
about<00:16:11.420> narrative<00:16:11.930> it's<00:16:12.710> a<00:16:12.890> historical<00:16:13.520> source
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about narrative it's a historical source
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about narrative it's a historical source
of<00:16:14.390> himself<00:16:14.900> and<00:16:15.260> his<00:16:15.800> rider<00:16:16.130> they<00:16:16.640> were
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of himself and his rider they were
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of himself and his rider they were
partners<00:16:17.560> and<00:16:18.560> they're<00:16:19.400> theirs<00:16:20.150> himself<00:16:20.630> and
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partners and they're theirs himself and
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partners and they're theirs himself and
there's<00:16:21.080> a<00:16:21.140> symbolic<00:16:22.330> person<00:16:23.330> in<00:16:23.540> the<00:16:23.690> globe
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there's a symbolic person in the globe
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there's a symbolic person in the globe
now<00:16:24.140> Steve<00:16:24.920> I<00:16:25.190> I<00:16:26.029> think<00:16:26.470> that<00:16:27.470> you<00:16:27.620> can<00:16:27.800> tell<00:16:28.010> me
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now Steve I I think that you can tell me
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now Steve I I think that you can tell me
what<00:16:28.310> you<00:16:28.460> think
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what you think
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what you think
this<00:16:29.390> particular<00:16:29.720> piece<00:16:30.110> it<00:16:30.860> was<00:16:31.070> inspired<00:16:31.490> by
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this particular piece it was inspired by
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this particular piece it was inspired by
from<00:16:33.020> the<00:16:33.170> from<00:16:33.620> the<00:16:33.770> Northern<00:16:34.520> Renaissance
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from the from the Northern Renaissance
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from the from the Northern Renaissance
well<00:16:36.170> it<00:16:36.770> has<00:16:37.010> a<00:16:37.040> reference<00:16:37.430> to<00:16:38.029> her<00:16:38.330> mama
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well it has a reference to her mama
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well it has a reference to her mama
hieronymus<00:16:39.380> ba<00:16:39.980> it<00:16:40.400> does<00:16:40.640> yeah<00:16:41.060> and<00:16:41.390> that's
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hieronymus ba it does yeah and that's
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hieronymus ba it does yeah and that's
what<00:16:42.350> I<00:16:42.380> was<00:16:42.589> thinking<00:16:42.890> I<00:16:43.070> think<00:16:43.390> during<00:16:44.390> this
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what I was thinking I think during this
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what I was thinking I think during this
particular<00:16:44.900> time<00:16:45.320> was<00:16:45.860> kind<00:16:46.160> of<00:16:46.310> the<00:16:46.430> peak<00:16:46.700> of
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particular time was kind of the peak of
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particular time was kind of the peak of
Salvador<00:16:47.630> Dali's<00:16:48.430> influence<00:16:49.430> and<00:16:49.690> popularity
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Salvador Dali's influence and popularity
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Salvador Dali's influence and popularity
and<00:16:50.870> he<00:16:51.710> of<00:16:51.830> course<00:16:52.040> was<00:16:53.140> it<00:16:54.140> might<00:16:54.440> have<00:16:54.650> been
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and he of course was it might have been
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and he of course was it might have been
the<00:16:54.980> commercial<00:16:55.580> height<00:16:55.850> of<00:16:57.100> surrealism<00:16:58.100> what
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the commercial height of surrealism what
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the commercial height of surrealism what
in<00:16:59.029> the<00:16:59.150> early<00:16:59.390> seventies<00:16:59.870> I<00:16:59.990> would<00:17:00.230> say<00:17:00.500> so
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in the early seventies I would say so
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in the early seventies I would say so
yeah<00:17:01.940> just<00:17:02.810> a<00:17:03.350> sure<00:17:03.890> and<00:17:04.900> in<00:17:05.900> mass<00:17:06.230> production
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yeah just a sure and in mass production
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yeah just a sure and in mass production
of<00:17:06.860> books<00:17:07.069> two<00:17:07.400> of<00:17:07.760> these<00:17:07.939> people<00:17:08.209> so<00:17:08.540> that
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of books two of these people so that
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of books two of these people so that
people<00:17:08.720> the<00:17:09.290> everyday<00:17:09.650> layman<00:17:10.069> could<00:17:10.220> have
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people the everyday layman could have
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people the everyday layman could have
access<00:17:11.809> now<00:17:11.990> and<00:17:12.230> that<00:17:12.380> should<00:17:12.620> be<00:17:12.740> it<00:17:12.860> should
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access now and that should be it should
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access now and that should be it should
be<00:17:13.100> said<00:17:13.429> since<00:17:13.730> you<00:17:13.850> brought<00:17:14.030> that<00:17:14.089> up<00:17:14.329> Steve
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be said since you brought that up Steve
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be said since you brought that up Steve
that<00:17:15.620> it's<00:17:15.829> interesting<00:17:16.130> yeah<00:17:16.819> that<00:17:17.059> people
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that it's interesting yeah that people
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that it's interesting yeah that people
had<00:17:17.540> a<00:17:17.870> an<00:17:18.829> appetite<00:17:19.429> for<00:17:19.459> it<00:17:19.880> yeah<00:17:20.150> and<00:17:20.390> they
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had a an appetite for it yeah and they
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had a an appetite for it yeah and they
still<00:17:20.809> do<00:17:21.160> despite<00:17:22.160> what<00:17:22.670> Clement<00:17:23.059> Greenberg
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still do despite what Clement Greenberg
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still do despite what Clement Greenberg
might<00:17:24.589> say<00:17:24.890> about<00:17:25.189> kitsch<00:17:25.730> okay<00:17:26.720> yeah<00:17:27.880> this<00:17:28.880> is
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might say about kitsch okay yeah this is
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might say about kitsch okay yeah this is
this<00:17:29.510> there's<00:17:29.929> an<00:17:30.050> appetite<00:17:30.350> for<00:17:30.530> this<00:17:30.890> yeah
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this there's an appetite for this yeah
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this there's an appetite for this yeah
and<00:17:31.400> there<00:17:31.700> was<00:17:31.910> no<00:17:33.820> fear<00:17:34.820> of<00:17:35.090> it<00:17:36.080> being
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and there was no fear of it being
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and there was no fear of it being
tasteless<00:17:37.150> you<00:17:38.150> know<00:17:38.270> which<00:17:38.480> is<00:17:38.660> Clement<00:17:39.050> what
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tasteless you know which is Clement what
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tasteless you know which is Clement what
Clement<00:17:39.710> Greenberg<00:17:39.740> all<00:17:40.280> right<00:17:40.640> yeah<00:17:40.880> there
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Clement Greenberg all right yeah there
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Clement Greenberg all right yeah there
was<00:17:41.630> no<00:17:41.780> fear<00:17:42.110> of<00:17:42.140> it<00:17:42.440> because<00:17:43.220> they're<00:17:43.429> moving
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was no fear of it because they're moving
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was no fear of it because they're moving
also<00:17:43.910> this<00:17:44.300> is<00:17:44.450> Vietnam<00:17:44.720> War<00:17:45.530> era<00:17:45.940> and<00:17:46.940> protest
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also this is Vietnam War era and protest
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also this is Vietnam War era and protest
movement<00:17:49.750> we're<00:17:50.750> talking<00:17:51.080> about<00:17:51.170> an<00:17:51.670> epic
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movement we're talking about an epic
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movement we're talking about an epic
period<00:17:52.910> of<00:17:53.179> division<00:17:53.630> and<00:17:53.780> polarization<00:17:54.500> in
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period of division and polarization in
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period of division and polarization in
the<00:17:54.650> United<00:17:55.010> States<00:17:55.220> of<00:17:55.340> America<00:17:55.730> at<00:17:55.820> the<00:17:55.940> time
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the United States of America at the time
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the United States of America at the time
and<00:17:57.080> I<00:17:57.260> think<00:17:57.320> that<00:17:57.620> the<00:17:57.740> art<00:17:57.980> that<00:17:58.670> that
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and I think that the art that that
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and I think that the art that that
carefree<00:18:00.250> surrealistic<00:18:01.250> and<00:18:01.640> then<00:18:01.760> moving
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carefree surrealistic and then moving
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carefree surrealistic and then moving
back<00:18:02.240> to<00:18:02.450> this<00:18:02.600> the<00:18:03.440> symbolist<00:18:03.980> themselves
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back to this the symbolist themselves
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back to this the symbolist themselves
sure<00:18:04.850> it<00:18:05.210> mattered<00:18:05.690> to<00:18:06.140> young<00:18:06.320> people<00:18:06.740> well
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sure it mattered to young people well
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sure it mattered to young people well
and<00:18:07.309> I<00:18:07.400> think<00:18:07.780> another<00:18:08.780> related<00:18:10.660> and<00:18:11.660> maybe
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and I think another related and maybe
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and I think another related and maybe
you<00:18:13.309> know<00:18:13.460> we<00:18:13.550> should<00:18:13.640> just
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you know we should just
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you know we should just
temper<00:18:15.450> this<00:18:15.570> before<00:18:16.080> we<00:18:16.260> move<00:18:16.650> on<00:18:16.830> to<00:18:16.980> the
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temper this before we move on to the
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temper this before we move on to the
next<00:18:17.370> but<00:18:17.610> there<00:18:17.760> was<00:18:17.880> a<00:18:17.909> lot<00:18:18.150> of<00:18:18.179> drug<00:18:18.570> use
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next but there was a lot of drug use
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next but there was a lot of drug use
that<00:18:19.919> related<00:18:20.340> to<00:18:20.549> the<00:18:21.120> psychedelic<00:18:21.960> art<00:18:23.000> of
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that related to the psychedelic art of
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that related to the psychedelic art of
its<00:18:24.360> day<00:18:24.600> so<00:18:24.659> that<00:18:25.080> probably<00:18:25.409> fed<00:18:25.799> into<00:18:26.280> it<00:18:27.350> you
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its day so that probably fed into it you
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its day so that probably fed into it you
could<00:18:28.559> as<00:18:29.010> I<00:18:29.250> did<00:18:29.460> when<00:18:29.580> I<00:18:29.640> was<00:18:29.850> five<00:18:30.120> six<00:18:30.539> seven
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could as I did when I was five six seven
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could as I did when I was five six seven
you<00:18:31.080> can<00:18:31.200> look<00:18:31.380> at<00:18:31.500> this<00:18:31.620> for<00:18:31.830> hours<00:18:32.159> yeah<00:18:32.460> and
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you can look at this for hours yeah and
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you can look at this for hours yeah and
I<00:18:33.409> suspect<00:18:34.409> that<00:18:34.710> when<00:18:35.190> you<00:18:35.340> add<00:18:35.929> you<00:18:36.929> know<00:18:37.049> a
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I suspect that when you add you know a
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I suspect that when you add you know a
substance<00:18:38.190> to<00:18:38.280> that<00:18:38.520> yeah<00:18:39.240> that<00:18:39.270> might<00:18:39.900> make
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substance to that yeah that might make
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substance to that yeah that might make
it<00:18:40.860> more<00:18:40.890> interesting<00:18:48.980> yeah<00:18:49.980> I<00:18:50.340> tell<00:18:51.210> you<00:18:51.530> I'm
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it more interesting yeah I tell you I'm
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it more interesting yeah I tell you I'm
just<00:18:52.799> you<00:18:53.549> brought<00:18:53.789> these<00:18:54.000> images<00:18:54.630> and<00:18:54.929> just
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just you brought these images and just
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just you brought these images and just
primarily<00:18:56.610> because<00:18:56.820> you<00:18:57.150> enjoy<00:18:57.600> talking
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primarily because you enjoy talking
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primarily because you enjoy talking
about<00:18:58.530> them<00:18:58.770> not<00:18:58.950> because<00:18:59.159> it's<00:18:59.610> like<00:18:59.850> your
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about them not because it's like your
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about them not because it's like your
top<00:19:00.450> ten<00:19:00.809> yeah<00:19:01.110> no<00:19:01.350> no<00:19:02.250> I'm<00:19:02.460> glad<00:19:02.909> you
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top ten yeah no no I'm glad you
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top ten yeah no no I'm glad you
clarified<00:19:03.330> that<00:19:03.630> I<00:19:03.840> I<00:19:04.230> brought<00:19:05.010> him<00:19:05.159> in
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clarified that I I brought him in
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clarified that I I brought him in
because<00:19:05.429> I<00:19:05.640> was<00:19:05.760> thinking<00:19:06.059> you<00:19:06.179> know<00:19:06.299> what<00:19:06.510> I
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because I was thinking you know what I
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because I was thinking you know what I
just<00:19:06.750> love<00:19:07.169> talking<00:19:07.830> about<00:19:08.130> art<00:19:09.090> yeah<00:19:09.690> and
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just love talking about art yeah and
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just love talking about art yeah and
then<00:19:11.070> I<00:19:11.159> break<00:19:11.370> it<00:19:11.490> down<00:19:11.520> and<00:19:12.059> this<00:19:12.419> is<00:19:12.539> what<00:19:12.750> is
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then I break it down and this is what is
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then I break it down and this is what is
it<00:19:13.110> and<00:19:13.260> how<00:19:13.440> do<00:19:13.500> I<00:19:13.650> speak<00:19:14.010> about<00:19:14.130> it<00:19:14.280> that's
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it and how do I speak about it that's
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it and how do I speak about it that's
why<00:19:14.730> this<00:19:14.789> show<00:19:15.240> is<00:19:15.450> so<00:19:15.659> important<00:19:16.169> and<00:19:16.350> I'm
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why this show is so important and I'm
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why this show is so important and I'm
glad<00:19:16.770> and<00:19:17.070> I'm<00:19:17.159> honored<00:19:17.490> to<00:19:17.549> be<00:19:17.640> on<00:19:17.940> it<00:19:18.120> yeah
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glad and I'm honored to be on it yeah
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glad and I'm honored to be on it yeah
I'm<00:19:18.390> really<00:19:18.570> happy<00:19:18.690> to<00:19:19.110> be<00:19:19.140> here<00:19:19.440> with<00:19:19.650> you
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I'm really happy to be here with you
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I'm really happy to be here with you
talking<00:19:20.070> about<00:19:20.370> art<00:19:20.610> art<00:19:21.299> that<00:19:21.780> I<00:19:21.809> like<00:19:22.080> yeah
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talking about art art that I like yeah
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talking about art art that I like yeah
that<00:19:23.429> I<00:19:23.460> hope<00:19:23.730> you<00:19:23.909> like<00:19:24.120> to<00:19:24.270> go<00:19:24.480> I<00:19:24.510> have
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that I hope you like to go I have
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that I hope you like to go I have
enjoying<00:19:25.470> this<00:19:25.770> you<00:19:26.429> have<00:19:26.520> another<00:19:26.760> image
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enjoying this you have another image
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enjoying this you have another image
there<00:19:27.360> okay<00:19:28.309> yeah<00:19:29.309> you<00:19:29.370> you<00:19:30.000> move<00:19:30.210> back<00:19:30.710> in
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there okay yeah you you move back in
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there okay yeah you you move back in
time<00:19:32.100> a<00:19:32.130> little<00:19:32.340> bit<00:19:32.580> in<00:19:32.880> the<00:19:32.970> 20th<00:19:33.390> century
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time a little bit in the 20th century
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time a little bit in the 20th century
and<00:19:34.020> particularly<00:19:34.380> in<00:19:34.770> Europe<00:19:35.130> and<00:19:35.280> you're
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and particularly in Europe and you're
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and particularly in Europe and you're
gonna<00:19:35.460> find<00:19:35.760> an<00:19:35.880> artist<00:19:36.179> by<00:19:36.330> the<00:19:36.360> name<00:19:36.480> of
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gonna find an artist by the name of
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gonna find an artist by the name of
Franz<00:19:37.440> von<00:19:37.679> stuck<00:19:38.280> and<00:19:39.230> this<00:19:40.230> image<00:19:40.679> is<00:19:40.890> this
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Franz von stuck and this image is this
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Franz von stuck and this image is this
iconic<00:19:42.179> image<00:19:42.570> and<00:19:43.049> I'm<00:19:43.110> talking<00:19:43.409> about<00:19:43.440> icons
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iconic image and I'm talking about icons
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iconic image and I'm talking about icons
is<00:19:44.630> the<00:19:45.630> story<00:19:46.080> again<00:19:46.679> narratives<00:19:47.250> telling<00:19:47.700> a
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is the story again narratives telling a
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is the story again narratives telling a
story<00:19:48.260> is<00:19:49.260> the<00:19:49.320> story<00:19:49.590> of<00:19:49.919> Judith<00:19:50.429> and
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story is the story of Judith and
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story is the story of Judith and
Holofernes<00:19:51.539> and<00:19:52.260> this<00:19:53.220> is<00:19:53.370> a<00:19:53.400> biblical<00:19:53.669> tale
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Holofernes and this is a biblical tale
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Holofernes and this is a biblical tale
the<00:19:54.659> Catholics<00:19:55.940> Catholicism<00:19:56.940> views<00:19:57.240> this<00:19:57.510> as
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the Catholics Catholicism views this as
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the Catholics Catholicism views this as
actually<00:19:58.429> canonical<00:19:59.429> it's<00:19:59.610> a<00:19:59.730> part<00:19:59.970> of<00:20:00.030> the
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actually canonical it's a part of the
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actually canonical it's a part of the
the<00:20:01.020> new<00:20:01.169> test<00:20:01.409> or<00:20:01.679> the<00:20:01.890> Old<00:20:02.039> Testament<00:20:02.520> Canon
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the new test or the Old Testament Canon
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the new test or the Old Testament Canon
and<00:20:03.380> Protestant<00:20:04.380> Christians<00:20:04.890> view<00:20:05.190> it<00:20:05.340> as
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and Protestant Christians view it as
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and Protestant Christians view it as
apocryphal<00:20:06.659> the<00:20:07.169> story<00:20:07.470> but<00:20:08.340> you'll<00:20:08.520> find
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apocryphal the story but you'll find
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apocryphal the story but you'll find
this<00:20:09.390> image<00:20:10.140> or<00:20:10.380> some<00:20:11.159> kind<00:20:11.549> of<00:20:11.820> a<00:20:12.090> modified
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this image or some kind of a modified
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this image or some kind of a modified
version<00:20:12.840> of<00:20:13.409> this<00:20:13.590> image<00:20:13.909> throughout<00:20:14.909> the
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version of this image throughout the
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version of this image throughout the
Renaissance<00:20:15.750> all<00:20:16.020> the<00:20:16.409> way<00:20:16.530> through<00:20:16.740> the
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Renaissance all the way through the
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Renaissance all the way through the
modern<00:20:17.070> period<00:20:17.780> and<00:20:18.780> in<00:20:19.289> fact<00:20:19.500> images<00:20:20.010> like
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modern period and in fact images like
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modern period and in fact images like
this<00:20:20.429> the<00:20:20.789> femme<00:20:21.030> fatale<00:20:21.059> is<00:20:21.960> what<00:20:22.320> they<00:20:22.470> would
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this the femme fatale is what they would
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this the femme fatale is what they would
call<00:20:22.830> this<00:20:23.070> on<00:20:23.280> the<00:20:23.429> continent<00:20:24.230> the<00:20:25.230> femme
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call this on the continent the femme
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call this on the continent the femme
fatale<00:20:25.610> image<00:20:26.610> it's<00:20:26.909> a<00:20:27.030> theme<00:20:27.270> it's
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fatale image it's a theme it's
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fatale image it's a theme it's
pneumatic<00:20:28.239> yeah<00:20:29.139> they're<00:20:29.379> going<00:20:29.679> back<00:20:29.859> in
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pneumatic yeah they're going back in
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pneumatic yeah they're going back in
time<00:20:30.220> and<00:20:30.279> talking<00:20:30.789> about<00:20:30.909> the<00:20:31.299> widow
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time and talking about the widow
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time and talking about the widow
Holofernes<00:20:32.409> I<00:20:32.619> don't<00:20:32.830> need<00:20:33.039> to<00:20:33.159> necessarily
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Holofernes I don't need to necessarily
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Holofernes I don't need to necessarily
go<00:20:34.029> through<00:20:34.059> the<00:20:34.389> story<00:20:34.690> I<00:20:34.779> want<00:20:34.960> you<00:20:35.049> to<00:20:35.139> look
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go through the story I want you to look
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go through the story I want you to look
at<00:20:35.440> the<00:20:35.590> picture<00:20:36.009> look<00:20:36.580> at<00:20:36.700> what's<00:20:36.909> happening
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at the picture look at what's happening
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at the picture look at what's happening
you<00:20:39.879> there's<00:20:40.179> so<00:20:40.330> much<00:20:40.450> going<00:20:40.749> on<00:20:40.840> here<00:20:40.899> and
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you there's so much going on here and
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you there's so much going on here and
once<00:20:42.609> we<00:20:42.789> talk<00:20:42.999> about<00:20:43.119> the<00:20:43.330> narrative<00:20:43.629> we<00:20:44.049> can
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once we talk about the narrative we can
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once we talk about the narrative we can
talk<00:20:44.409> about<00:20:44.559> the<00:20:45.100> formal<00:20:45.639> aspect<00:20:46.179> yeah
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talk about the formal aspect yeah
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talk about the formal aspect yeah
well<00:20:47.710> as<00:20:47.919> the<00:20:48.129> I<00:20:48.580> just<00:20:48.639> want<00:20:49.210> to<00:20:49.299> reference<00:20:49.509> a
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well as the I just want to reference a
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well as the I just want to reference a
couple<00:20:50.259> things<00:20:51.159> in<00:20:51.700> the<00:20:51.940> story<00:20:52.359> and<00:20:53.669> she<00:20:54.669> shows
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couple things in the story and she shows
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couple things in the story and she shows
up<00:20:55.720> to<00:20:55.899> meet<00:20:56.109> him<00:20:56.379> obviously<00:20:56.830> and<00:20:57.279> she's
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up to meet him obviously and she's
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up to meet him obviously and she's
scantily<00:20:58.450> clad<00:20:58.779> and<00:20:59.769> and<00:21:00.729> smelling<00:21:01.299> good<00:21:01.509> too
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scantily clad and and smelling good too
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scantily clad and and smelling good too
and<00:21:01.989> probably<00:21:02.580> perfumes<00:21:03.720> smelling<00:21:04.720> good<00:21:05.070> she
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and probably perfumes smelling good she
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and probably perfumes smelling good she
gets<00:21:06.309> him<00:21:06.489> really<00:21:06.879> drunk<00:21:07.179> because<00:21:07.899> she's
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gets him really drunk because she's
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gets him really drunk because she's
asked<00:21:08.529> and<00:21:09.779> he<00:21:10.779> was<00:21:10.960> the<00:21:11.139> favorite<00:21:11.700> general<00:21:12.869> of
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asked and he was the favorite general of
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asked and he was the favorite general of
the<00:21:14.169> Assyrian<00:21:14.679> King<00:21:15.389> Nebuchadnezzar<00:21:16.389> and<00:21:17.519> she
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the Assyrian King Nebuchadnezzar and she
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the Assyrian King Nebuchadnezzar and she
was<00:21:18.669> a<00:21:18.700> widow<00:21:18.909> and<00:21:19.830> she<00:21:20.830> you<00:21:21.669> know<00:21:21.789> some<00:21:22.239> people
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was a widow and she you know some people
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was a widow and she you know some people
have<00:21:22.690> observed<00:21:23.289> that<00:21:23.470> it's<00:21:23.739> about<00:21:23.979> it's<00:21:24.519> about
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have observed that it's about it's about
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have observed that it's about it's about
virtue<00:21:25.149> over<00:21:25.659> Vice<00:21:25.899> also<00:21:26.590> yeah<00:21:26.950> and<00:21:27.849> also
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virtue over Vice also yeah and also
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virtue over Vice also yeah and also
empowerment<00:21:28.960> and<00:21:29.169> it<00:21:29.979> certainly<00:21:30.369> land<00:21:30.669> itself
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empowerment and it certainly land itself
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empowerment and it certainly land itself
into<00:21:31.239> that<00:21:31.349> symbolist<00:21:32.349> movement<00:21:32.470> of<00:21:33.009> the<00:21:33.220> late
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into that symbolist movement of the late
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into that symbolist movement of the late
19th<00:21:34.179> century<00:21:34.299> and<00:21:34.869> early<00:21:35.379> 20th<00:21:36.099> century<00:21:36.519> why
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19th century and early 20th century why
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19th century and early 20th century why
am<00:21:37.330> i<00:21:37.419> bringing<00:21:37.659> these<00:21:37.840> symbolist<00:21:38.289> in<00:21:38.470> here
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am i bringing these symbolist in here
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am i bringing these symbolist in here
Steve<00:21:38.919> because<00:21:39.820> they<00:21:40.149> have<00:21:40.389> narrative<00:21:41.320> they
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Steve because they have narrative they
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Steve because they have narrative they
have<00:21:41.859> stories<00:21:42.460> and<00:21:42.639> I'm<00:21:42.729> drawn<00:21:42.970> to<00:21:42.999> it
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have stories and I'm drawn to it
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have stories and I'm drawn to it
personally<00:21:43.389> yeah<00:21:43.929> I<00:21:44.109> don't<00:21:44.320> know<00:21:44.409> maybe<00:21:44.649> it's
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personally yeah I don't know maybe it's
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personally yeah I don't know maybe it's
my<00:21:44.979> Norwegian<00:21:45.899> Viking<00:21:46.899> roots<00:21:47.139> I<00:21:47.470> want<00:21:47.799> to<00:21:47.859> tell
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my Norwegian Viking roots I want to tell
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my Norwegian Viking roots I want to tell
a<00:21:48.099> tale<00:21:48.460> or<00:21:48.519> read<00:21:48.849> with<00:21:48.970> some<00:21:49.149> you<00:21:49.359> know<00:21:49.590> what
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a tale or read with some you know what
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a tale or read with some you know what
some<00:21:50.769> Mead<00:21:51.009> I<00:21:51.340> don't<00:21:52.059> know<00:21:52.149> what<00:21:52.299> it<00:21:52.389> is<00:21:52.539> but<00:21:52.809> I
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some Mead I don't know what it is but I
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some Mead I don't know what it is but I
have<00:21:53.049> to<00:21:53.710> have<00:21:53.919> a<00:21:53.950> story<00:21:54.309> and<00:21:54.460> those<00:21:54.669> symbolist
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have to have a story and those symbolist
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have to have a story and those symbolist
did<00:21:55.779> you<00:21:55.929> such<00:21:56.229> a<00:21:56.259> great<00:21:56.529> job<00:21:56.919> of<00:21:57.190> it<00:21:57.340> yeah<00:21:57.779> well
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did you such a great job of it yeah well
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did you such a great job of it yeah well
and<00:21:59.200> I<00:21:59.379> think<00:21:59.519> it<00:22:00.519> brings<00:22:00.789> to<00:22:01.149> light<00:22:01.359> the<00:22:01.749> fact
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and I think it brings to light the fact
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and I think it brings to light the fact
that<00:22:02.279> you<00:22:03.279> know<00:22:03.399> I<00:22:03.429> think<00:22:03.700> many<00:22:04.299> times<00:22:04.710> people
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that you know I think many times people
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that you know I think many times people
think<00:22:05.739> of<00:22:06.070> the<00:22:06.159> Bible<00:22:06.609> as<00:22:06.820> being<00:22:06.849> a<00:22:07.629> completely
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think of the Bible as being a completely
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think of the Bible as being a completely
positive<00:22:08.849> document<00:22:09.849> but<00:22:10.119> there<00:22:10.389> there's<00:22:11.229> so
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positive document but there there's so
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positive document but there there's so
much<00:22:13.259> violence<00:22:15.029> sexuality<00:22:16.029> and<00:22:17.729> inhumanity
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much violence sexuality and inhumanity
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much violence sexuality and inhumanity
yeah<00:22:19.419> that<00:22:20.349> was<00:22:20.649> just<00:22:21.690> that<00:22:22.690> is<00:22:22.840> in<00:22:23.139> the<00:22:23.499> Bible
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yeah that was just that is in the Bible
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yeah that was just that is in the Bible
and<00:22:25.470> you<00:22:26.470> know<00:22:26.590> there<00:22:26.919> are<00:22:27.009> difficult<00:22:27.580> dishes
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and you know there are difficult dishes
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and you know there are difficult dishes
so<00:22:28.299> when<00:22:28.539> artists<00:22:29.200> are<00:22:29.289> inspired<00:22:29.769> to<00:22:29.919> create
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so when artists are inspired to create
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so when artists are inspired to create
these<00:22:31.179> images<00:22:31.629> to<00:22:32.139> also<00:22:32.590> tell<00:22:32.889> the<00:22:33.099> story<00:22:33.129> in<00:22:33.609> a
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these images to also tell the story in a
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these images to also tell the story in a
visual<00:22:34.119> way<00:22:34.330> you<00:22:35.019> know<00:22:35.109> you<00:22:35.169> cannot<00:22:35.940> discount
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visual way you know you cannot discount
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visual way you know you cannot discount
the<00:22:37.359> fact<00:22:37.690> that<00:22:37.899> for<00:22:38.379> most<00:22:38.830> of<00:22:39.070> our<00:22:39.159> human
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the fact that for most of our human
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the fact that for most of our human
history
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history
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history
majority<00:22:41.240> of<00:22:41.270> people<00:22:41.360> were<00:22:41.900> not<00:22:42.080> literate
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majority of people were not literate
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majority of people were not literate
yeah<00:22:43.370> so<00:22:43.820> the<00:22:44.210> visual<00:22:44.450> arts<00:22:44.930> created<00:22:45.830> this<00:22:46.040> way
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yeah so the visual arts created this way
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yeah so the visual arts created this way
of<00:22:46.760> right<00:22:47.540> telling<00:22:48.260> a<00:22:48.380> story<00:22:48.680> as<00:22:49.220> shocking<00:22:49.640> as
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of right telling a story as shocking as
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of right telling a story as shocking as
it<00:22:50.120> may<00:22:50.300> be<00:22:50.540> just<00:22:50.930> like<00:22:51.170> this<00:22:51.410> story<00:22:52.690> and
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it may be just like this story and
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it may be just like this story and
through<00:22:54.590> illuminated<00:22:55.280> manuscripts<00:22:56.000> and
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through illuminated manuscripts and
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through illuminated manuscripts and
stained<00:22:56.960> glass<00:22:57.260> in<00:22:57.500> the<00:22:57.590> cathedral<00:22:58.340> all<00:22:59.090> these
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stained glass in the cathedral all these
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stained glass in the cathedral all these
ways<00:22:59.630> to<00:22:59.840> tell<00:23:00.020> the<00:23:00.140> illiterate<00:23:00.650> the<00:23:01.070> story
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ways to tell the illiterate the story
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ways to tell the illiterate the story
the<00:23:01.910> narrative<00:23:02.240> the<00:23:03.200> mythology<00:23:03.920> yeah<00:23:04.220> and
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the narrative the mythology yeah and
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the narrative the mythology yeah and
it's<00:23:04.730> so<00:23:04.910> wonderful
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it's so wonderful
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it's so wonderful
I<00:23:06.550> especially<00:23:07.550> now<00:23:07.910> let's<00:23:08.120> talk<00:23:08.270> formal<00:23:08.780> this
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I especially now let's talk formal this
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I especially now let's talk formal this
is<00:23:09.290> a<00:23:09.380> beautiful<00:23:09.890> painting<00:23:10.180> it's<00:23:11.180> got<00:23:11.330> this
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is a beautiful painting it's got this
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is a beautiful painting it's got this
wonderful<00:23:11.840> vertical<00:23:12.530> format<00:23:12.950> to<00:23:13.220> it<00:23:13.370> it's
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wonderful vertical format to it it's
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wonderful vertical format to it it's
it's<00:23:14.120> very<00:23:14.180> pick<00:23:14.690> in<00:23:15.080> terms<00:23:15.410> of<00:23:15.590> picked<00:23:15.920> horse
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it's very pick in terms of picked horse
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it's very pick in terms of picked horse
pictorial<00:23:17.210> space<00:23:17.740> he's<00:23:18.740> laid<00:23:19.040> out<00:23:19.120> in
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pictorial space he's laid out in
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pictorial space he's laid out in
foreshortening<00:23:20.990> she's<00:23:21.530> very<00:23:22.310> tall<00:23:22.700> look<00:23:22.910> at
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foreshortening she's very tall look at
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foreshortening she's very tall look at
her<00:23:23.060> edge<00:23:23.240> and<00:23:23.960> there's<00:23:24.170> there's<00:23:24.710> that
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her edge and there's there's that
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her edge and there's there's that
suggested<00:23:25.700> movement<00:23:26.120> of<00:23:26.210> the<00:23:26.300> sword<00:23:26.630> that
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suggested movement of the sword that
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suggested movement of the sword that
breaks<00:23:27.080> free<00:23:27.350> from<00:23:27.530> the<00:23:27.680> picture<00:23:27.980> plane<00:23:28.250> then
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breaks free from the picture plane then
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breaks free from the picture plane then
you've<00:23:28.970> got<00:23:29.120> that<00:23:29.240> wonderful<00:23:29.800> V<00:23:30.800> the<00:23:31.130> Sacred
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you've got that wonderful V the Sacred
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you've got that wonderful V the Sacred
Feminine<00:23:31.700> down<00:23:32.150> there<00:23:32.390> and<00:23:32.890> it's<00:23:33.890> so<00:23:34.250> soft<00:23:34.760> yet
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Feminine down there and it's so soft yet
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Feminine down there and it's so soft yet
there's<00:23:35.510> the<00:23:36.200> the<00:23:36.500> pigments<00:23:37.070> are<00:23:37.220> like<00:23:37.400> jewels
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there's the the pigments are like jewels
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there's the the pigments are like jewels
if<00:23:38.420> you<00:23:38.510> actually<00:23:38.690> get<00:23:38.990> up<00:23:39.080> and<00:23:39.170> look<00:23:39.320> at<00:23:39.440> the
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if you actually get up and look at the
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if you actually get up and look at the
surface<00:23:39.950> beautiful<00:23:40.730> painting<00:23:41.090> beautiful
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surface beautiful painting beautiful
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surface beautiful painting beautiful
pattern<00:23:41.960> beautiful<00:23:42.650> bankroll<00:23:43.340> thanks<00:23:43.730> for
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pattern beautiful bankroll thanks for
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pattern beautiful bankroll thanks for
bringing<00:23:44.240> that<00:23:44.270> in<00:23:44.660> let's<00:23:45.560> look<00:23:45.740> at<00:23:45.860> another
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bringing that in let's look at another
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bringing that in let's look at another
one<00:23:48.040> moving<00:23:49.040> along<00:23:49.370> the<00:23:49.520> lines<00:23:49.730> of<00:23:50.560> symbolist
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one moving along the lines of symbolist
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one moving along the lines of symbolist
you<00:23:52.130> know<00:23:52.250> this<00:23:52.640> is<00:23:52.820> gustave<00:23:53.360> moreau<00:23:54.880> famous
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you know this is gustave moreau famous
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you know this is gustave moreau famous
sim<00:23:56.090> lists<00:23:56.420> operating<00:23:57.460> in<00:23:58.460> the<00:23:58.700> in<00:23:59.060> the<00:23:59.240> late
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sim lists operating in the in the late
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sim lists operating in the in the late
19th<00:23:59.930> century<00:24:00.310> this<00:24:01.310> particular<00:24:01.670> piece<00:24:02.060> right
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19th century this particular piece right
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19th century this particular piece right
here<00:24:02.360> is<00:24:03.370> approximately<00:24:04.370> a<00:24:04.400> hundred<00:24:04.640> and
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here is approximately a hundred and
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here is approximately a hundred and
forty<00:24:05.210> years<00:24:05.390> old
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forty years old
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forty years old
and<00:24:06.650> why<00:24:06.770> do<00:24:06.830> I<00:24:06.980> say<00:24:07.220> it<00:24:07.340> like<00:24:07.490> that<00:24:07.520> you<00:24:07.730> know
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and why do I say it like that you know
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and why do I say it like that you know
you<00:24:08.060> look<00:24:08.300> at<00:24:08.420> artwork<00:24:08.720> in<00:24:09.110> books<00:24:09.410> and<00:24:09.650> stuff<00:24:09.920> I
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you look at artwork in books and stuff I
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you look at artwork in books and stuff I
actually<00:24:10.250> photographed<00:24:11.000> this<00:24:11.180> out<00:24:11.390> of<00:24:11.480> one<00:24:11.630> of
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actually photographed this out of one of
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actually photographed this out of one of
my<00:24:11.750> books<00:24:12.340> on<00:24:13.340> on<00:24:13.900> symbolism<00:24:14.900> yeah<00:24:15.290> published
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my books on on symbolism yeah published
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my books on on symbolism yeah published
by<00:24:15.890> passion<00:24:16.520> and<00:24:16.930> I<00:24:17.930> did<00:24:18.860> the<00:24:18.950> best<00:24:19.100> job<00:24:19.220> I
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by passion and I did the best job I
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by passion and I did the best job I
could<00:24:19.520> there's<00:24:19.940> a<00:24:20.000> little<00:24:20.210> flashing<00:24:20.600> on<00:24:20.720> the
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could there's a little flashing on the
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could there's a little flashing on the
top<00:24:21.020> of<00:24:21.200> the<00:24:21.260> picture<00:24:21.440> but<00:24:21.800> you<00:24:22.730> know<00:24:23.950> 140
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top of the picture but you know 140
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top of the picture but you know 140
years<00:24:25.130> why<00:24:25.280> do<00:24:25.340> I<00:24:25.400> say<00:24:25.610> that<00:24:25.790> not<00:24:26.030> just<00:24:26.090> the
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years why do I say that not just the
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years why do I say that not just the
date<00:24:26.690> of<00:24:28.840> 1876<00:24:29.840> number<00:24:30.560> seven
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date of 1876 number seven
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date of 1876 number seven
well<00:24:32.000> because<00:24:32.510> often<00:24:33.470> times<00:24:33.650> we<00:24:33.830> don't<00:24:33.950> think
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well because often times we don't think
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well because often times we don't think
about<00:24:34.430> the<00:24:34.520> context<00:24:35.240> of<00:24:35.360> which<00:24:35.480> it<00:24:35.660> was<00:24:35.840> made
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about the context of which it was made
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about the context of which it was made
and<00:24:37.580> this<00:24:37.820> is<00:24:37.880> really<00:24:38.330> operating<00:24:38.990> at<00:24:39.050> the<00:24:39.170> same
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and this is really operating at the same
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and this is really operating at the same
time<00:24:39.770> right<00:24:40.250> before<00:24:40.550> or<00:24:41.060> right<00:24:41.090> around<00:24:41.450> the
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time right before or right around the
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time right before or right around the
same<00:24:41.870> time<00:24:42.110> that<00:24:42.350> that<00:24:43.300> the<00:24:44.300> French<00:24:46.480> is<00:24:47.480> moving
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same time that that the French is moving
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same time that that the French is moving
away<00:24:48.200> the<00:24:48.530> French<00:24:48.830> painter<00:24:49.100> is<00:24:49.370> moving<00:24:49.910> away
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away the French painter is moving away
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away the French painter is moving away
from<00:24:50.440> objectivity<00:24:51.440> and<00:24:52.330> representational<00:24:53.330> as
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from objectivity and representational as
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from objectivity and representational as
in<00:24:54.570> a<00:24:54.690> way<00:24:54.930> that's<00:24:55.590> different<00:24:55.770> with
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in a way that's different with
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in a way that's different with
Impressionism<00:24:58.350> you<00:24:58.770> know<00:24:58.890> we're<00:24:59.100> talking
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Impressionism you know we're talking
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Impressionism you know we're talking
about<00:24:59.340> the<00:24:59.520> 1870s<00:25:00.390> the<00:25:01.290> first<00:25:01.590> show<00:25:01.890> I<00:25:01.920> think
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about the 1870s the first show I think
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about the 1870s the first show I think
was<00:25:02.460> what<00:25:02.750> 1878<00:25:03.750> or<00:25:03.960> something<00:25:04.260> something
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was what 1878 or something something
00:25:04.590 --> 00:25:06.560 align:start position:0%
was what 1878 or something something
like<00:25:04.740> that<00:25:05.130> and<00:25:05.790> when<00:25:06.030> you<00:25:06.120> compare<00:25:06.450> it<00:25:06.540> with
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like that and when you compare it with
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like that and when you compare it with
this<00:25:06.840> this<00:25:07.410> is<00:25:07.620> still<00:25:07.920> stuck<00:25:08.250> not<00:25:08.550> in<00:25:08.790> the
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this this is still stuck not in the
00:25:08.970 --> 00:25:11.810 align:start position:0%
this this is still stuck not in the
Academy<00:25:09.930> tradition<00:25:10.220> very<00:25:11.220> different<00:25:11.640> in<00:25:11.730> the
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Academy tradition very different in the
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Academy tradition very different in the
way<00:25:11.850> that<00:25:11.970> that<00:25:12.690> it's<00:25:12.900> painted<00:25:13.440> it's<00:25:13.620> shallow
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way that that it's painted it's shallow
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way that that it's painted it's shallow
there's<00:25:14.940> actually<00:25:15.300> scruffy<00:25:15.900> dough<00:25:15.960> if<00:25:16.260> you
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there's actually scruffy dough if you
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there's actually scruffy dough if you
look<00:25:16.560> on<00:25:16.710> the<00:25:16.800> back<00:25:17.010> of<00:25:17.040> the<00:25:17.430> actual<00:25:17.760> temple
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look on the back of the actual temple
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look on the back of the actual temple
walls<00:25:18.420> or<00:25:18.720> scruffy<00:25:19.290> dough<00:25:19.520> a<00:25:20.630> hundred<00:25:21.630> and
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walls or scruffy dough a hundred and
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walls or scruffy dough a hundred and
forty<00:25:22.320> years<00:25:22.800> the<00:25:23.370> time<00:25:23.730> it<00:25:23.940> was<00:25:24.120> made
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forty years the time it was made
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forty years the time it was made
mattered<00:25:25.160> the<00:25:26.160> fact<00:25:26.520> that<00:25:26.670> they<00:25:26.880> were<00:25:26.940> talking
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mattered the fact that they were talking
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mattered the fact that they were talking
about<00:25:27.720> ancient<00:25:28.050> themes<00:25:28.470> if<00:25:28.710> you<00:25:28.830> haven't
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about ancient themes if you haven't
00:25:29.130 --> 00:25:31.130 align:start position:0%
about ancient themes if you haven't
figured<00:25:29.280> out<00:25:29.520> what<00:25:29.760> which<00:25:30.210> theme<00:25:30.660> this<00:25:30.870> is
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figured out what which theme this is
00:25:31.140 --> 00:25:32.810 align:start position:0%
figured out what which theme this is
this<00:25:31.290> is<00:25:31.440> a<00:25:31.470> biblical<00:25:31.740> theme<00:25:32.280> but<00:25:32.490> it's<00:25:32.610> New
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this is a biblical theme but it's New
00:25:32.820 --> 00:25:34.790 align:start position:0%
this is a biblical theme but it's New
Testament<00:25:33.450> and<00:25:33.840> we're<00:25:34.050> talking<00:25:34.230> about<00:25:34.470> the
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Testament and we're talking about the
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Testament and we're talking about the
beheading<00:25:35.370> of<00:25:36.290> Saint<00:25:37.290> John<00:25:37.530> the<00:25:37.560> Baptist<00:25:38.130> and
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beheading of Saint John the Baptist and
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beheading of Saint John the Baptist and
at<00:25:39.480> the<00:25:39.630> bequest<00:25:39.900> of<00:25:40.910> Salome<00:25:41.910> and<00:25:42.210> you've
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at the bequest of Salome and you've
00:25:43.110 --> 00:25:46.760 align:start position:0%
at the bequest of Salome and you've
heard<00:25:43.290> that<00:25:43.470> story<00:25:43.740> I<00:25:44.100> mean<00:25:44.490> and<00:25:45.060> so<00:25:46.050> are<00:25:46.350> these
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heard that story I mean and so are these
00:25:46.770 --> 00:25:51.260 align:start position:0%
heard that story I mean and so are these
stories<00:25:47.190> being<00:25:47.370> told<00:25:47.490> now<00:25:48.350> this<00:25:49.350> way<00:25:50.270> visually
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stories being told now this way visually
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stories being told now this way visually
not<00:25:51.480> so<00:25:52.410> much<00:25:52.560> I<00:25:52.710> don't<00:25:52.890> think<00:25:53.100> not<00:25:53.520> so<00:25:53.730> much<00:25:53.880> I
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not so much I don't think not so much I
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not so much I don't think not so much I
don't<00:25:54.090> think<00:25:54.390> they're<00:25:55.020> told<00:25:55.260> different<00:25:55.590> ways
00:25:55.700 --> 00:25:55.710 align:start position:0%
don't think they're told different ways
00:25:55.710 --> 00:25:58.970 align:start position:0%
don't think they're told different ways
they're<00:25:55.980> told<00:25:56.220> with<00:25:56.930> literature<00:25:57.930> or<00:25:58.380> movies
00:25:58.970 --> 00:25:58.980 align:start position:0%
they're told with literature or movies
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they're told with literature or movies
or<00:25:59.310> what-have-you
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or what-have-you
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or what-have-you
although<00:26:01.110> I<00:26:01.140> will<00:26:01.590> say<00:26:01.620> that<00:26:03.770> I've<00:26:04.770> a<00:26:05.430> lot<00:26:06.030> of
00:26:06.260 --> 00:26:06.270 align:start position:0%
although I will say that I've a lot of
00:26:06.270 --> 00:26:08.230 align:start position:0%
although I will say that I've a lot of
people<00:26:06.690> have<00:26:06.840> written<00:26:07.080> about<00:26:07.500> this
00:26:08.230 --> 00:26:08.240 align:start position:0%
people have written about this
00:26:08.240 --> 00:26:15.260 align:start position:0%
people have written about this
particular<00:26:09.770> work<00:26:10.770> through<00:26:12.920> history<00:26:13.920> and<00:26:14.270> I
00:26:15.260 --> 00:26:15.270 align:start position:0%
particular work through history and I
00:26:15.270 --> 00:26:17.690 align:start position:0%
particular work through history and I
think<00:26:15.690> it<00:26:15.810> continues<00:26:16.170> to<00:26:16.590> be<00:26:16.710> a<00:26:16.740> popular<00:26:17.430> theme
00:26:17.690 --> 00:26:17.700 align:start position:0%
think it continues to be a popular theme
00:26:17.700 --> 00:26:21.100 align:start position:0%
think it continues to be a popular theme
and<00:26:17.940> especially<00:26:18.270> the<00:26:18.630> feminist<00:26:19.190> so<00:26:20.190> oh<00:26:20.520> yeah
00:26:21.100 --> 00:26:21.110 align:start position:0%
and especially the feminist so oh yeah
00:26:21.110 --> 00:26:24.530 align:start position:0%
and especially the feminist so oh yeah
that<00:26:22.110> idea<00:26:22.710> of<00:26:22.920> the<00:26:23.070> femme<00:26:23.310> fatale<00:26:23.910> yeah<00:26:24.330> and
00:26:24.530 --> 00:26:24.540 align:start position:0%
that idea of the femme fatale yeah and
00:26:24.540 --> 00:26:27.920 align:start position:0%
that idea of the femme fatale yeah and
whether<00:26:24.960> or<00:26:25.200> not<00:26:25.290> that<00:26:25.830> was<00:26:26.730> a<00:26:27.000> patriarchal
00:26:27.920 --> 00:26:27.930 align:start position:0%
whether or not that was a patriarchal
00:26:27.930 --> 00:26:31.220 align:start position:0%
whether or not that was a patriarchal
system<00:26:28.850> getting<00:26:29.850> its<00:26:30.090> rocks<00:26:30.360> off<00:26:30.630> so<00:26:30.870> to<00:26:30.930> speak
00:26:31.220 --> 00:26:31.230 align:start position:0%
system getting its rocks off so to speak
00:26:31.230 --> 00:26:35.000 align:start position:0%
system getting its rocks off so to speak
or<00:26:31.590> if<00:26:32.400> that<00:26:32.700> was<00:26:33.090> one<00:26:33.480> of<00:26:33.510> the<00:26:33.660> earliest<00:26:34.200> forms
00:26:35.000 --> 00:26:35.010 align:start position:0%
or if that was one of the earliest forms
00:26:35.010 --> 00:26:37.810 align:start position:0%
or if that was one of the earliest forms
of<00:26:35.280> recognizing<00:26:36.270> the<00:26:36.360> woman<00:26:36.720> as<00:26:36.900> an<00:26:37.170> entity
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of recognizing the woman as an entity
00:26:37.820 --> 00:26:40.730 align:start position:0%
of recognizing the woman as an entity
equal<00:26:38.820> with<00:26:39.030> man<00:26:39.270> sure<00:26:39.750> that's<00:26:40.230> a<00:26:40.380> debatable
00:26:40.730 --> 00:26:40.740 align:start position:0%
equal with man sure that's a debatable
00:26:40.740 --> 00:26:42.620 align:start position:0%
equal with man sure that's a debatable
subject<00:26:41.070> so<00:26:41.730> I<00:26:41.760> think<00:26:42.060> what<00:26:42.180> you're<00:26:42.330> saying<00:26:42.480> is
00:26:42.620 --> 00:26:42.630 align:start position:0%
subject so I think what you're saying is
00:26:42.630 --> 00:26:44.720 align:start position:0%
subject so I think what you're saying is
interesting<00:26:43.200> I<00:26:43.350> just<00:26:43.380> I<00:26:43.980> love<00:26:44.190> that<00:26:44.370> period<00:26:44.700> of
00:26:44.720 --> 00:26:44.730 align:start position:0%
interesting I just I love that period of
00:26:44.730 --> 00:26:46.730 align:start position:0%
interesting I just I love that period of
time<00:26:44.790> and<00:26:45.060> you<00:26:45.210> know<00:26:45.240> yes<00:26:45.600> or<00:26:45.780> no<00:26:45.900> I<00:26:46.230> think<00:26:46.380> we
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time and you know yes or no I think we
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time and you know yes or no I think we
have<00:26:46.830> time<00:26:47.070> for<00:26:47.130> one<00:26:47.400> more<00:26:47.580> image<00:26:48.000> and<00:26:49.580> right
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have time for one more image and right
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have time for one more image and right
awesome<00:26:51.030> okay<00:26:51.750> young<00:26:52.470> man<00:26:52.500> Ike<00:26:52.920> okay<00:26:55.370> yes<00:26:56.370> I
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awesome okay young man Ike okay yes I
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awesome okay young man Ike okay yes I
did
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did
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did
yes<00:26:57.870> I<00:26:58.110> did<00:26:58.620> my<00:26:59.010> ancestors<00:26:59.910> are<00:26:59.940> from<00:27:00.090> that<00:27:00.450> is
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yes I did my ancestors are from that is
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yes I did my ancestors are from that is
but<00:27:02.070> young<00:27:02.670> man<00:27:02.880> Ike<00:27:03.060> I<00:27:03.390> mean<00:27:03.570> 15th<00:27:04.020> century
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but young man Ike I mean 15th century
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but young man Ike I mean 15th century
late<00:27:05.000> 1515
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late 1515
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late 1515
century<00:27:06.950> 1400s<00:27:07.850> in<00:27:07.970> other<00:27:08.120> words<00:27:08.330> and<00:27:08.600> this<00:27:08.960> is
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century 1400s in other words and this is
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century 1400s in other words and this is
the<00:27:09.320> Annunciation<00:27:10.480> many<00:27:11.480> people<00:27:11.809> are<00:27:11.900> still
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the Annunciation many people are still
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the Annunciation many people are still
familiar<00:27:12.530> with<00:27:12.679> the<00:27:12.770> Annunciation<00:27:13.549> who<00:27:13.700> are
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familiar with the Annunciation who are
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familiar with the Annunciation who are
not<00:27:14.120> religious<00:27:14.870> people<00:27:15.049> but<00:27:15.320> they<00:27:15.440> do<00:27:15.500> know
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not religious people but they do know
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not religious people but they do know
the<00:27:16.010> theme<00:27:16.309> of<00:27:16.340> the<00:27:17.059> angel<00:27:17.450> Gabriel<00:27:17.990> telling
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the theme of the angel Gabriel telling
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the theme of the angel Gabriel telling
the<00:27:19.730> Virgin<00:27:19.880> Mary<00:27:20.270> that<00:27:20.360> she<00:27:20.780> would<00:27:21.020> indeed
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the Virgin Mary that she would indeed
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the Virgin Mary that she would indeed
bore<00:27:22.010> a<00:27:22.040> child<00:27:22.160> and<00:27:22.820> of<00:27:23.179> course<00:27:23.540> of<00:27:23.720> the
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bore a child and of course of the
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bore a child and of course of the
significance<00:27:24.440> of<00:27:24.530> this<00:27:24.650> child<00:27:24.980> and<00:27:25.280> then<00:27:25.940> you
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significance of this child and then you
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significance of this child and then you
look<00:27:26.630> up<00:27:26.809> in<00:27:26.990> the<00:27:27.020> image<00:27:27.290> and<00:27:27.710> it's<00:27:27.920> again
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look up in the image and it's again
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look up in the image and it's again
another<00:27:28.640> vertical<00:27:29.210> format<00:27:29.900> why<00:27:30.200> it<00:27:30.620> was<00:27:30.740> a
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another vertical format why it was a
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another vertical format why it was a
part<00:27:31.429> of<00:27:31.490> an<00:27:31.610> altarpiece<00:27:31.940> it<00:27:32.660> would<00:27:32.780> have<00:27:32.900> been
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part of an altarpiece it would have been
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part of an altarpiece it would have been
part<00:27:33.290> of<00:27:33.380> a<00:27:33.500> most<00:27:34.280> likely<00:27:34.760> a<00:27:34.790> triptych<00:27:35.179> or
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part of a most likely a triptych or
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part of a most likely a triptych or
something<00:27:38.090> like<00:27:38.240> that<00:27:38.299> I<00:27:38.510> can't<00:27:38.840> recall<00:27:39.049> I
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something like that I can't recall I
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something like that I can't recall I
don't<00:27:39.799> remember<00:27:40.400> I<00:27:40.549> saw<00:27:40.850> this<00:27:41.059> at<00:27:41.270> the<00:27:41.480> at<00:27:41.690> the
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don't remember I saw this at the at the
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don't remember I saw this at the at the
Chicago<00:27:42.440> Art<00:27:42.470> Institute<00:27:42.770> and<00:27:43.460> it's<00:27:44.360> always
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Chicago Art Institute and it's always
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Chicago Art Institute and it's always
stuck<00:27:44.809> with<00:27:44.840> me<00:27:45.049> ever<00:27:45.559> since<00:27:45.679> then
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stuck with me ever since then
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stuck with me ever since then
1997<00:27:47.150> when<00:27:47.480> you<00:27:47.660> see<00:27:47.990> a<00:27:48.290> van<00:27:48.710> Eyck<00:27:48.950> in<00:27:49.220> person
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1997 when you see a van Eyck in person
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1997 when you see a van Eyck in person
is<00:27:50.440> the<00:27:51.440> services<00:27:52.100> are<00:27:52.630> gorgeous<00:27:53.630> the<00:27:54.320> surface
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is the services are gorgeous the surface
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is the services are gorgeous the surface
of<00:27:54.950> the<00:27:55.070> painting<00:27:55.340> certain<00:27:56.150> luminosity<00:27:56.809> oh
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of the painting certain luminosity oh
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of the painting certain luminosity oh
man<00:27:57.620> how<00:27:58.160> about<00:27:58.190> the<00:27:58.790> use<00:27:59.030> of<00:27:59.240> that<00:27:59.390> oil<00:27:59.570> paint
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man how about the use of that oil paint
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man how about the use of that oil paint
in<00:28:00.290> glaze<00:28:00.790> is<00:28:01.790> extraordinary<00:28:02.270> yeah<00:28:02.870> and<00:28:03.520> also
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in glaze is extraordinary yeah and also
00:28:04.520 --> 00:28:09.280 align:start position:0%
in glaze is extraordinary yeah and also
what's<00:28:04.730> going<00:28:05.059> on<00:28:05.210> here<00:28:05.720> is<00:28:06.070> a<00:28:07.870> really<00:28:08.870> refined
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what's going on here is a really refined
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what's going on here is a really refined
palette<00:28:09.980> and<00:28:10.299> there's<00:28:11.299> your<00:28:11.690> eye<00:28:11.720> just
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palette and there's your eye just
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palette and there's your eye just
bounces<00:28:12.799> around<00:28:12.980> and<00:28:13.490> here<00:28:13.700> and<00:28:13.820> lead<00:28:14.000> you
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bounces around and here and lead you
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bounces around and here and lead you
throughout<00:28:15.010> the<00:28:16.570> composition<00:28:17.570> and<00:28:17.840> it's<00:28:17.990> just
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throughout the composition and it's just
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throughout the composition and it's just
wonderful<00:28:18.410> these<00:28:19.280> are<00:28:19.640> timeless<00:28:20.240> this<00:28:21.140> is<00:28:21.290> a
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wonderful these are timeless this is a
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wonderful these are timeless this is a
timeless<00:28:21.919> piece<00:28:22.250> you<00:28:22.549> know<00:28:22.669> it's<00:28:22.910> it's<00:28:23.120> the
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timeless piece you know it's it's the
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timeless piece you know it's it's the
eye<00:28:23.299> even<00:28:24.110> though<00:28:24.230> I'm<00:28:24.410> not<00:28:24.980> sure<00:28:25.309> that<00:28:27.010> you
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eye even though I'm not sure that you
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eye even though I'm not sure that you
know<00:28:28.100> in<00:28:28.220> our<00:28:28.370> day<00:28:28.929> there's<00:28:29.929> there's<00:28:30.530> so<00:28:30.799> much
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know in our day there's there's so much
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know in our day there's there's so much
going<00:28:31.370> on<00:28:31.520> there's<00:28:31.960> narratives<00:28:32.960> there's<00:28:35.049> at
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going on there's narratives there's at
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going on there's narratives there's at
any<00:28:36.260> given<00:28:36.530> time<00:28:36.770> you<00:28:36.830> can<00:28:37.070> have<00:28:37.250> that<00:28:37.490> what's
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any given time you can have that what's
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any given time you can have that what's
going<00:28:37.940> on<00:28:38.090> to<00:28:38.330> your<00:28:39.080> fingertips
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going on to your fingertips
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going on to your fingertips
there's<00:28:40.700> human<00:28:41.600> spirituality<00:28:44.020> artists<00:28:45.020> have
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there's human spirituality artists have
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there's human spirituality artists have
never<00:28:45.440> stopped<00:28:47.740> dealing<00:28:48.740> with<00:28:49.010> human
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never stopped dealing with human
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never stopped dealing with human
spirituality<00:28:49.970> it's<00:28:50.419> just<00:28:50.630> in<00:28:50.809> our<00:28:50.960> time<00:28:51.260> it
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spirituality it's just in our time it
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spirituality it's just in our time it
means<00:28:51.740> so<00:28:52.100> many<00:28:52.220> different<00:28:52.370> things<00:28:52.760> than<00:28:53.360> it
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means so many different things than it
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means so many different things than it
did<00:28:53.720> in<00:28:53.960> the<00:28:54.860> 1700s<00:28:55.820> yes<00:28:57.309> anyway<00:28:58.309> I<00:28:58.370> want<00:28:58.520> to
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did in the 1700s yes anyway I want to
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did in the 1700s yes anyway I want to
thank<00:28:58.910> you<00:28:59.120> so<00:28:59.150> much<00:28:59.570> for<00:28:59.809> coming<00:29:00.140> in<00:29:00.260> today<00:29:00.440> I
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thank you so much for coming in today I
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thank you so much for coming in today I
want<00:29:01.070> to<00:29:01.130> thank<00:29:01.160> you
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want to thank you
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want to thank you
come<00:29:01.940> in<00:29:02.120> again<00:29:02.480> I<00:29:02.690> hope<00:29:02.840> so<00:29:03.110> yeah<00:29:03.440> I<00:29:03.740> love
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come in again I hope so yeah I love
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come in again I hope so yeah I love
talking<00:29:04.220> about<00:29:04.520> RJ<00:29:04.970> well<00:29:05.330> I<00:29:05.360> love<00:29:05.690> talking
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talking about RJ well I love talking
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talking about RJ well I love talking
about<00:29:06.049> it<00:29:06.260> with<00:29:06.380> you<00:29:06.530> and<00:29:06.770> that's<00:29:06.980> what<00:29:07.280> the
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about it with you and that's what the
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about it with you and that's what the
program<00:29:08.620> and<00:29:09.620> thank<00:29:10.040> you<00:29:10.160> so<00:29:10.370> much<00:29:10.610> I<00:29:10.850> just
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program and thank you so much I just
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program and thank you so much I just
hope<00:29:12.830> people<00:29:12.860> will<00:29:13.340> tune<00:29:13.580> in<00:29:13.760> next<00:29:14.570> time<00:29:14.900> for
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hope people will tune in next time for
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hope people will tune in next time for
look
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look
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look
before<00:29:15.919> you<00:29:16.039> speak<00:29:16.340> and<00:29:16.610> we<00:29:16.700> have<00:29:16.850> a<00:29:17.330> whole
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before you speak and we have a whole
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before you speak and we have a whole
slew<00:29:18.440> of<00:29:18.470> exciting<00:29:19.129> guests<00:29:19.490> coming<00:29:19.820> up<00:29:19.970> and
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slew of exciting guests coming up and
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slew of exciting guests coming up and
hope<00:29:20.870> you<00:29:21.049> tune<00:29:21.289> in<00:29:21.499> again<00:29:21.799> thank<00:29:22.580> you<00:29:22.639> so<00:29:22.730> much
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hope you tune in again thank you so much
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hope you tune in again thank you so much
for<00:29:23.179> doing
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for doing
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for doing
[Music]